Denver Sonnets Project, No. 136: Lyndsay and Jeremy Palmer

By John Moore

CultureWest.Org is endeavoring to make short films out of all 154 of Shakespeare’s sonnets, each featuring actors with Colorado connections. The artistic intent is primarily to further CultureWest’s mission to spotlight the local theatre community and their current or upcoming productions. It’s also an attempt to promote Shakespeare education in a fun way. This is an entirely volunteer project with a proud budget of … zero dollars.

We intend to roll out one Sonnet video a week for … zoinks! … 154 weeks. Here’s a link to the YouTube playlist that hosts the series.

Our third episode features married actors Lyndsay and Jeremy Palmer, who will play brothers (!) in the handicapped Phamaly Theatre Company’s “Joseph and the Amazing Technicolor Dreamcoat,” opening July 10 and running through Aug. 10 at the Denver Performing Arts Complex. Tickets go on sale (303-365-0005) later this month. Jeremy is also the director of “Dislabed,” the annual all-original comedic series that pokes fun at all manner of things disabled … and abled. This year’s third installment, titled “Dislabled: Disorderly Conduct,” takes place in a courtroom following an incident involving protestors who are disparate, disgruntled … and disabled. “Is justice as blind as some members of the cast?” Jeremy asks? (Insert your own rimshot.) It plays April 25-27 at the Dairy Center for the Performing Arts. For more information, call 303-444-7328, or click here.

The Palmers take a modern approach to Sonnet 136. Shakespeare’s solution to wooing a woman in love with a man named Will? Simple: “Call me Will!” he tells her. The Palmers turn the sonnet into a dialogue between flirters that takes place, as they so often do these days, entirely via text messaging. That allows for a nice little turn of events at the sonnet’s end.

The Denver Sonnets Project is a volunteer collaboration, with limited eligibility requirements for participation. For information on how to register, email your interest to culturewestjohn@gmail.com.

Completed episodes to date (in numeric order:
Sonnet 23: Gabra Zackman, “As an unperfect actor on a stage …”
Sonnet 36: Rachel Fowler, “I may not evermore acknowledge thee …”
Sonnet 136: Lyndsay and Jeremy Palmer, “Make but my name thy love …”

Look here for a new sonnet every Monday. For more information on The Denver Sonnets Project, please email culturewestjohn@gmail.com.

Please consider supporting the Denver Actors Fund at www.DenverActorsFund.Org

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Denver Actors Fund in Action: Twanna LaTrice Hill

Note: At the Denver Actors Fund, anonymity of aid recipients is presumed and fully protected, unless and until the recipient chooses to have his or her story told.

Aid recipient: Back in 2014, Twanna LaTrice Hill became just the fifth aid recipient in The Denver Actors Fund’s young history. Twanna is Harvard, Princeton and Regis University educated, and she has performed in many productions with the Phamaly Theatre Company, including playing Annie in “It’s a Wonderful Life” and Alma in the Alzheimer’s drama “Taking Leave.” She also has performed with the Denver Center Theatre Academy, Denver Museum of Nature & Science, the Eden Theatrical Workshop and others. She holds a bachelors degree in Russian (with minors in acting and creative writing) from Princeton; a masters in Soviet studies from Harvard; and an ABD in nonprofit public policy from Regis. From 1988-90, she was a student at the Denver Center’s National Theatre Conservatory. She has worked tirelessly for state legislation that protects the privacy of sexual-assault victims.

Her initial story: In 2006, shortly after graduating from Regis, Twanna suffered a pulmonary collapse. After being in an induced coma for two weeks, she was further diagnosed with lupus, a neurological disease that puts her at constant risk of falling over. A series of financial setbacks in 2013 impacted her ability to manage her symptoms. After the start of the next calendar year, she was unable to meet her new annual Medicare deductible, which prevented her from receiving other medical benefits, and kept her from purchasing items that doctors recommended for her ongoing therapy.

How we first helped: In 2014, The Denver Actors Fund issued Twanna a check for $922 to pay for her Medicare deductible; the purchase of a lumbar back brace to ease the pain of a degenerative disc disease; and the purchase of a blood-pressure cuff that she needed to monitor her blood pressure and heart rate because of recurring tachycardia. Twanna later required surgery to repair nerve damage in her left arm.

Her more recent story: In April 2018, Twanna had a major dental crisis when a front tooth fell out, and surrounding teeth were disintegrating around the root. These issues were side effects from medication she took to address her previous medical incident.

Twanna LaTrice Hill performing in a DCPA Education Master Class. Photo by John Moore.

How we helped: The Denver Actors Fund referred Twanna to Thornton dentist (and former Broadway dancer) Brian Kelly. Through a unique ongoing partnership with The Denver Actors Fund, Kelly and his team at The Dental Center at Thornton Plaza accept a limited number of emergency dental cases as an in-kind donation. Kelly’s goal is to transition every referred patient from gum disease to health. In this case, Dr. Kelly extracted the remaining root material and created a partial dental prosthetic that allowed for the placement of two new teeth. In recent months, Dr Kelly completed Twanna’s follow-up care with crowns and eventually, complete dentures. The total cost of all these dental procedures came to $7,408. Of that, Twanna’s insurance paid just $1,348. The Denver Actors Fund paid a $190 lab fee, and the rest — $5,870 — was Kelly’s in-kind contribution to the DAF. To date, the total dental support for Twanna comes to $6,060, and our total overall medical support for Twanna since 2014 is now $6,982.

A message from Twanna: “I cannot thank Dr. Kelly and the Denver Actors Fund enough for helping me with what was truly a crisis that kept me hidden in my home. I have regained my beautiful smile (which I have always thought of as my best feature!), and I am incredibly grateful. The very existence of the Denver Actors Fund helps to restore my faith in the kindness of others who just want to help – and ask nothing in return. That is worth more to me than any medication or piece of equipment.”

The Denver Actors Fund has now made more than $418,000 available to Colorado artists in medical need. If you would to help us replenish our general fund, simply mail checks made out to The Denver Actors Fund to P.O. Box 11182, Denver, CO, 80212. Or use this donation link.

Read testimonials from other Denver Actors Fund beneficiaries here

Note: At the Denver Actors Fund, anonymity of aid recipients is presumed and fully protected, unless and until the recipient chooses to have his or her story told.


HOW YOU CAN HELP US REPLENISH:

To DONATE the Denver Actors Fund, please CLICK HERE (with our humble thanks)

COLORADO GIVES DAY IS COMING ON DECEMBER 10. TO SCHEDULE YOUR DONATION, CLICK HERE


ABOUT THE DENVER ACTORS FUND:


Video above: The Denver Actors Fund receives the Colorado Theatre Guild’s 2016 Community Impact Award.

The Denver Actors Fund is a modest source of immediate, situational relief when members of the local theater community find themselves in medical need. In addition to $418,000 in financial relief, a team of more than 60 Denver Actors Fund volunteers has offered good neighborly assistance to more than 100 beneficiaries including meal prep and delivery, child care, transportation, errands, construction, pet-sitting and more. For more information, visit our web site at DenverActorsFund.Org.


HOW TO APPLY FOR AID:

To apply for Denver Actors Fund aid: Fill out this brief online form here


MORE WAYS TO HELP:

DONATE BY MAIL:

Send checks made out to the Denver Actors Fund to:
P.O. Box 11182
Denver, CO 80211

VOLUNTEER:

Ever thought about taking a more active role in the Denver Actors Fund? Click here for more information

COME TO EVENTS THAT SUPPORT US:

Calendar Girls

MONDAY, DECEMBER 9: Firehouse Theater Company will hold a 7:30 p.m. Industry Night performance for its new comedy “Calendar Girls,” with all ticket sales going to the Denver Actors Fund. “Calendar Girls,” based on the 2003 British film by Tim Firth, tells of a British women’s group who become a media sensation when they pose nude for a calendar to raise money for a new couch in a local hospital’s waiting room. “Calendar Girls” features Suzanna Wellens, Christine Kahane, Linda Swanson Brown, Linda Button, Michelle Grimes, Erin T. Bell, Mary Campbell, Kristen Mair, Beki Pineda, Rand Moritzky, David Cervera, Brandon Palmer and Jeremy Umansky. The director is Linda Suttle. All tickets are $15. John Hand Theatre, 7653 E. 1st Place, 303-562-3232 or firehousetheatercompany.com

VISIT OUR ONLINE MERCH STORE:

Click here to see how you can buy DAF products such as T-shirts, key chains, puzzles and much more

Denver Actors Fund in Action: Becky Toma

BeckyTomaNote: At the Denver Actors Fund, anonymity of aid recipients is presumed and fully protected, unless and until the aid recipient wants to have his or her story be told.

Aid recipient No. 3 and No. 41: Becky Toma

Updated Jan. 8, 2017:

Who she is: For years, Becky has been a busy props designer and P.R. freelancer for clients that include schools, local theatre companies and Lannie’s Clocktower Cabaret. Shows she has designed recently have included: “A Christmas Story, The Musical” at Town Hall Arts Center; “Urinetown” for the Wolf Academy at the Mizel Arts and Culture Center; and “Einstein” for the JAAMM Festival at the Mizel Arts and Culture Center. She is currently prepping “Bonnie and Clyde” at Town Hall and “The Jungle Book” for the Denver Children’s Theatre at the Mizel. When she was injured in 2013, Becky was in the process of designing and building props for two more local theatre productions. “Friends and some of my fellow theater professionals jumped in to help me complete the shows,” she said . “I built a number of props from my hospital room. Staff and residents found this very entertaining as props came and went from my room!”

becky-toma-quoteHer medical story: Becky fell and fractured her knee (the tibial plateau) on Nov. 15, 2013. Doctors hoped  her knee would mend over time without surgery, but that meant she would have to get around in a wheelchair for months. Eventually she needed a pricey surgical procedure to break up the build-up of scar tissue, and from there the costs both expected and unexpected piled up. There was a stay at a rehab hospital for several weeks, followed by doctors visits, physical therapy, the rental of a wheelchair ramp at her house, in-home equipment and more. She missed a lot of work, and her insurance  only covered so much. So she set up a payment plan. But after more than three years of faithfully whittling down her debt through monthly payments, Becky still owes Kaiser Permanente $1,701.35 for a fall she took more than three years ago.

How we helped Becky then … and now: On Jan. 7,  2014, the fledgling Denver Actors Fund was thrilled to make Becky just our third financial-aid recipient by issuing her a check in the princely amount of $294.06 to specifically pay for her wheelchair rental. Three years and one day later, we are all the more tickled to send her a check for $1,701.35 to once and for all pay off the amount she still owes to Kaiser Permanente.

A message from Becky: “I am so very grateful to the Denver Actors Fund for coming to my aid in paying off the remaining debt from my knee injury three years ago. What a gift! I have struggled every month for the past three years to pay this “extra” bill, and now that weight will be lifted. To all those who continually support the Denver Actors Fund, believe you me, it’s a blessing times a thousand! Thank you Denver Actors Fund and everyone in our theatre community.”

To apply for Denver Actors Fund aid: Download the brief form by clicking here

 

ABOUT THE DENVER ACTORS FUND:

Video above: The Denver Actors Fund receives the Colorado Theatre Guild’s 2016 Community Impact Award.

The Denver Actors Fund is a modest source of immediate, situational relief when members of the local theater community find themselves in situational medical need. To date, the Fund has allocated more than $76,000 to local artists. In addition to financial relief, a team of more than 60 Denver Actors Fund volunteers offers good neighborly assistance including meal prep and delivery, child care, transportation, errands, construction, pet-sitting and more. For more information, visit our web site at DenverActorsFund.Org.

HOW YO CAN HELP US:

To donate to the Denver Actors Fund, please CLICK HERE (with our humble thanks).

To donate by mail, please send checks made out to the Denver Actors Fund to:
P.O. Box 11182
Denver, CO 80212

 

ATTEND UPCOMING DENVER ACTORS FUND EVENTS:

15676420_633660763485857_5012900835356940649_oSTAGED READING: On the final night of the Obama presidency, come to the staged reading of John Moore’s “Waiting for Obama,” which was recently performed at the New York International Fringe Festival. It’s about one Colorado Springs family that is convinced the President is coming for their guns. And in the world of this play, they just might be right. Thursday, Jan. 19. Social hour at 6 p.m. in The Edge Theatre Company bar, with drinks and snacks. The reading begins at 7. The plays runs 75 minutes. This event is free. Donations will be accepted at the door for the Denver Actors Fund. There are no advance ticket sales. Just join us at 1560 Teller St. in Lakewood. Direct any questions to culturewestjohn@gmail.com.

“DENVER ACTORS FUND PRESENTS …” MONTHLY FILM SERIES: The Alamo daf-alamoDrafthouse Cinema in Littleton hosts a monthly film series in partnership with the Denver Actors Fund featuring films inspired by musicals and plays that are currently being performed by a Colorado theatre company. Next up on Sunday, Jan. 22, is the film Billy Elliot, featuring pre-screening entertainment by cast members from Vintage Theatre Company’s upcoming stage production of Billy Elliot, the Musical. Join us for live musical performances, trivia, ticket giveaways … and the movie! CHOOSE YOUR SEATS NOW!

And coming up after that:

Feb. 16, 18 and 22: Special Fathom Events screening of Newsies, featuring Jeremy Jordan CHOOSE YOUR SEATS NOW

6:30 p.m. Monday, March 13: Jesus Christ Superstar, with entertainment from the Arvada Center CHOOSE YOUR SEATS NOW

SHOP AT AMAZONSMILE:

Denver Actors Fund

 

Buy a poster!
poster1.4_Cross

134 women (and a few token dudes) from the Colorado theater community, all supporting the Denver Actors Fund. $20 per poster (20×28). To order, email your quantity to denveractorsfund@gmail.com

Visit our online merch store: T-shirts, key chains, puzzles and much more

Why it matters: Watch this video:

Photos: My night at Phamaly’s ‘Vox Phamilia: G.I.M.P. Nation’

To see caption information on any photo above, or to see the gallery on a mobile phone, click here. (It will be on the lower-left corner.) Or just click “show info” on any photo.

By John Moore
Oct. 30, 2013

Opening No. 126: Phamaly Theatre Company’s “Vox Phamalia: G.I.M.P. Nation”: “Vox” is an annual evening of good-natured but cutting sketch comedy that results from an annual writing-to-performance development workshop designed for disabled actors and writers. This year’s show, again directed by Edith Weiss, features all-new material including “Sex and the Pity,” “Suicide Hotline” and “Your Own Private Hell.” Plus, they explore the subject of dwarf-tossing. The cast includes 15 actors with disabilities, including veterans Lucy Roucis, David Wright, Amber Marsh and James Sherman, along with new or near-new faces Harper Liles, Dominique Frary, Daniel Wheeler, Jeff Zinn, Khea Craig, Paul Migliorelli, Stewart Caswell, Kim Jackson and Naomi Morrow. Intended for audiences 16 and older. Remaining showtimes: 7:30 p.m. Thursday, Friday and Saturday (Oct. 31-Nov. 2); plus 2 p.m. Sunday, Nov. 3, at the Laundry on Lawrence, 2701 Lawrence St. Call 303-575-0005 or go to www.phamaly.org. All photos by John Moore for CultureWest.Org. To see the official “Opening Nights” photo series (these are outtakes), click here. Thanks: Jean Egdorf, Chris Silberman and Gloria Shanstrom.

 

OPENING 126
Who’s a douchebag? According to the Disability News Team (Daniel Wheeler, left, who has Crohn’s Disease, and Stewart Caswell, who has cerebral palsy), it’s the CEO of Goodwill Industries, who lobbied for legislation that allows businesses to pay the handicapped a fraction of minimum wage based on their performance on a test that measures their ability to complete ordinary tasks against able-bodied people.

Click here to subscribe to the CultureWest.org Monthly E-Newsletter

 

Colorado theater schedules, however you like them:

All currently running theater productions

All theater listings by company
All theater listings by opening date

How you can donate to the Denver Actors Fund

The new Denver Actors Fund is a modest source of immediate, situational relief when members of the local theater community find themselves in sudden medical need. To donate to the Denver Actors Fund, please go here (with our humble thanks):

Photos: My Night at Phamaly’s “Circle of Stars” gala

To see caption information for any photo above, click here. (The information is posted on the lower-left corner of each photo.) Or just click the “show info” option on any photo.

By John Moore
June 18, 2013

The Phamaly Theatre Company’s 2013 Circle of Stars benefit at the Mizel Center’s Wolf Theatre on June 15 was an evening of performance excerpts from recent shows and upcoming titles, including “Fiddler on the Roof,” “It’s a Wonderful Life” and “Joseph and the Amazing Technicolor Dreamcoat.” Photos by John Moore for www.CultureWest.Org

 

Click here to subscribe to the CultureWest.org Monthly E-Newsletter

 

How you can donate to the Denver Actors Fund

The new Denver Actors Fund is a modest source of immediate, situational relief when members of the local theater community find themselves in sudden medical need. Photo by John Moore. To donate to the Denver Actors Fund, please go here (with our humble thanks):

Magic Moments’ rotund roster includes some big-name local actors

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It is not uncommon for more than 200 people to participate in the annual Magic Moments pop-rock revue. This year’s crew includes some established names in the local theater community, including Amy Board, Sarah Rex, Ronni Gallup, Keegan Flaugh, Mark Shonsey, Dana Hart Lubeck, Donna Debreceni, David Nehls and others.

 

By John Moore
March 19, 2013

For 30 years, Magic Moments has presented an annual pop-music revue that integrates disabled and able-bodied cast members of all abilities, ages and experience levels. Those revues have now raised more than $200,000 for organizations that provide services for people with special needs.

The cast is made up of nearly 200 performers — and that is actually (and intentionally) down from an all-time high of about 250 a few years ago. But while Magic Moments is no longer an all-comers affair, it certainly remains open to most. It integrates a whole fleet of single-digit-aged moppets alongside some of the most respected members of the local acting community, as well as dozens of people with a wide variety of physical and mental challenges. Some of them might be detectable to the outside eye; others are quadriplegics. The belief at Magic Moments is that as long as you can move your eyes, you can act. And sing. And dance. That’s right — a team of up to eight choreographers make sure every cast member is included in at least four big group numbers, and here a wheelchair is no detriment to dancing. It is rather the tool that allows dancing to happen.

The rewards of participating in, or just attending, this completely singular theatrical experience, are both evident and manifest. But with a cast that is so varied and so large, it has been difficult for Magic Moments to find its place within the context of the larger Colorado theater community.

Magic Moments has much in common with the nationally recognized Phamaly Theatre Company, a troupe of all “differently abled” actors who present year-round musicals, dramas, stand-up comedy and, starting this year, a holiday offering. The companies share some of the same actors. Molly Nash has a big solo in this year’s Magic Moments revue, the Broadway showtune, “I’m Shy!” Phamaly audiences will again recognize longtime Phamaly favorite Ed Reinhardt and others.

But Magic Moments is different in at least two significant ways: Phamaly primarily presents known titles such as “The Elephant Man” and the upcoming summer musical, “Fiddler on the Roof.” The madman behind Magic Moments, who goes only by the name of K.Q., goes to great pains each year to thread the dozens of rock, pop and Broadway songs together with an original and recognizable narrative, some recurring characters and an occasionally discernible plot. This is the first year Magic Moments is reprising a title from the past. It is bringing back “Spirit and Soul,” which is set within the context of a traveling revival show where a terrible series of events tests the faith of all involved.

The score is always subject to tinkering and modernization. This year’s production features songs from “Spring Awakening,” “The Wiz,” “Evita” and rock artists Queen, Kenny Loggins, The Call, Bare Naked Ladies, The Who and Lyle Lovett. There is even a number by recent Grammy darlings fun. (yep, lower-case and period included). A few years ago, the indie-cool Decemberists made it into the show.

But the big difference between Phamaly and Magic Moments is that you see the able-bodied performing right alongside those who are not. And while Phamaly prides itself on producing some of the best theater by any company of any skill level, Magic Moments is peppered with housewives and middle-aged parents who have no greater theatrical ambitions than these. They just want to perform on the same stage with their kids. What really makes Magic Moments … well, magic, is what happens when you immerse all of these disparate people into a common creative cause over many months. That can’t help but change the lives of all involved. That’s what makes it, in my book, among the most legitimate theatrical experiences you can have on any stage … or from any seat.

Any while Magic Moments has battled against the “snob” factor for decades — “Is it real theater or not?” — it will be tough to argue against the many well-known and highly regarded actors from the “legit” theater community who are performing this year: We’re talking Amy Board, Sarah Rex, Ronni Gallup, Keegan Flaugh, Mark Shonsey, Ken Paul and Keith Hershman. This year’s musical directors are award-winning Donna Debreceni and Arvada Center hot-shot David Nehls. There isn’t a theater company in Colorado that wouldn’t take that group.

If you don’t know who those people are, no matter. You will after you see “Spirit and Soul.”

Spirit and Soul” ticket information:
Showtimes: 7:30 p.m. Thursday and Friday (March 21 and 22); 2 p.m. and 7:30 p.m. Saturday (March 23); 2 p.m. Sunday (March 24) 
At the Anschutz Family Theatre at Kent Denver School, 4000 E. Quincy Ave., Englewood, 303-607-7555 or buy tickets here.

Some of my previous Magic Moments coverage:

My Magic Moments video podcast from 2011

2010: Magic Moments pays actors in a different kind of currency
2009: Wheelchair dancers ready for some rockin’ and rollin’
2008: Magic Moments is a stage for all

Photos from my visit to Saturday’s “Spirit and Soul” rehearsal:
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The mysterious director known only as K.Q. commands respect by wielding a soft … teddy bear.

 

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Sarah Rex (Arvada Center’s “Legally Blonde”) is one of the many respected actors in the Colorado theater community lending their services to Magic Moments’ annual fundraising revue.

 

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Amy Board, who won a Denver Post Ovation Award for her work in the Arvada Center’s “Les Miserables” as Eponine, was last seen starring in the Aurora Fox’s “Xanadu.” She plays a cancer patient in “Spirit and Soul.”

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For years, Ronni Gallup has both choreographed numbers for Magic Moments shows (along with her mother, Debbie Stark), and also provided sign-language interpretation at performances through her company, Hands on Productions. She played Lola in “Damn Yankees” and Nickie in “Sweet Charity” for the Town Hall Arts Center. But this year marks her first performance in a Magic Moments revue. She wanted to play alongside her two young sons.

 

(Please click “Page 2” below to go to the next page of photos from this year’s Magic Moments rehearsal)

2013 theater photo series: It’s Opening Night in Colorado

By John Moore
Jan. 1, 2014

Welcome to my 2013 labor-of-love photo series bringing you iconic snapshots from behind the scenes on opening nights in Colorado theater. This series includes one representative shot from 151 of the performances we saw 2013. The intent was to allow the reader a window into a part of the creative process they are not often allowed to witness. The result was awide swath of public and private moments backstage, onstage and outside of the stage entirely. In addition to this primary series, we dedicated a gallery of outtakes to most every production we visited as well. All photos by John Moore for www.CultureWest.Org. To inquire about reprints, email culturewestjohn@gmail.com.

Most recent entry:

OPENING 151
At the end of their final performance last night, it was only fitting that, from left, Scott Koop, Alex Crawford, Amie Rau, Johnette Toye, Annie Dwyer, Rory Pierce, T.J. Mullin (and, unseen, musicians Randy Johnson and Eric Weinstein) had no choice but to stand silently while the overflow cheering crowd stood for several minutes  thanking them not just for an evening of entertainment, but for a quarter century of laughs, songs, terrible puns  and heart-tugging moments.

Opening No. 151: Heritage Square Music Hall’s “Merry Christmas to All, and to All a Goodbye”: It seems only appropriate that the final entry in our “opening nights” photo series was, in fact, a closing night. And what a closing night it was for the Heritage Square Music Hall: A New Year’s Eve celebration, followed by a midnight toast, live band and dancing into the wee hours. For this wasn’t just the end of a show for the Golden institution. That was closing night … period. And not just for T.J. Mullin and his venerable cadre of triple-threat performers. No, this was the end of the kind of entertainment Heritage Square has been providing audiences since Mullin bought the Heritage Square Music Hall from the legendary Bill Oakley in 1988. The Music Hall stopped being an old-fashioned house of melodrama long ago. It evolved into a place that offered blue-collar, comfortable, throwback fun. Clean, family entertainment (the hardest kind of comedy to pull off) that was both ridiculous and impeccably delivered at once. The Music Hall became best-known for its “Loud” shows, a series of pop radio hits performed by a cast that never got the credit it deserved for being among the most talented performers on any Denver stage. That final cast was Alex Crawford, Johnette Toye, Annie Dwyer, Rory Pierce and T.J. Mullin, with musicians Randy Johnson, Eric Weinstein and Crawford, with help from the booth from Scott Koop and Amie Rau. Merry Christmas indeed, Heritage Square Music Hall. And to all of you: Goodbye. Until we see you again. Photo by John Moore for www.CultureWest.Org. Thanks: Connie Helsley. Look for a full photo gallery from the final night in the coming days, as well as a video podcast that will include cast and audience interviews, and some performance highlights.

Click here to subscribe to the CultureWest.org Monthly E-Newsletter

 

Previous entries:

OPENING 148

Opening No. 150: Vintage Theatre’s “Young Frankenstein”: The final opening night of our 2013 series has Mark Shoney jumping for joy. Actually Shonsey, who plays Igor, was pumping himself up during warmups for Friday’s opening-night performance in Aurora. This wickedly inspired re-imagining of the classic Mel Brooks movie follows young Dr. Frederick Frankenstein (“that’s Fronkensteen!”) as he attempts to create a monster, just like his uncle Victor – but not without comic complications. The brains behind the laughter is the mad genius himself – Brooks wrote the music and lyrics and co-wrote the book. This production is the first since renovations to the Vintage Theatre stage that lowered the playing area, allowing for greater vertical playing space. There is also increased wing space that allows for larger sets and larger live orchestras. Musical director Hunter Hall sports a merry band of 11 for “Young Frankenstein.” Starring Seth Maisel (Frederick Frankenstein), Mark Shonsey (Igor), Kristi Siedow-Thompson (Inga), Mike Keinker (The Monster), Shahara Ostrand (Elizabeth), Barbara Porecca (Frau Blucher), Patrick Brownson (Hans Kemp), Chris Gallegos (Victor), Richard-Curtis Simpson (Harold the Hermit) and Zach Nick (Ziggy), with an ensemble of Matt Cantwell, Matt Davis, Steffan Scrogan, David Ballew, Teig Stanley, Preston Britton, Kathi Wood, Kaitlyn Althoff, Bianca Hinchley and Nicole Giordano. Directed by Deb Flomberg. The show plays through Feb. 2. Showtimes: 7:30 p.m. Fridays and Saturdays; 2:30 p.m. Sundays at 1468 Dayton St., Aurora, 303-839-1361 or vintage’s home page . Photo by John Moore for CultureWest.Org. Thanks: Aran Peters, Deb Persoff and Craig Bond.

 

OPENING 149

Opening No. 149: Starkey Theatrix’s “Home for the Holidays 2013″: For theater audiences, and the actors who perform it, a play or musical is an everyday, scheduled, temporary escape. But there are days when there is no escape from the unexpected barbarities the real world has been visiting upon Colorado with cruel regularity over the years: Chuck E. Cheese. Columbine. Platte Canyon. Aurora Century Cinemas. Multiple award-winning actor Margie Lamb (“Next to Normal”) sang and danced in the opening performance of Starkey Theatrix’s “Home for the Holidays 2013″ in Lone Tree on Thursday night. Now just try to imagine her horror when, at 12:36 p.m. the next afternoon, she received the text pictured above from her son, Blake. He’s a junior at Arapahoe High School. That text came in just a few minutes after fellow Arapahoe student Karl Pierson allegedly sought revenge against a teacher by opening fire with a shotgun at the school before taking his own life, police believe. What does a son do in those first few moments of inescapable, indescribable panic? Blake took out his phone and wrote his mom to make sure his parents knew, no matter what might happen next, that he loves them. Lamb immediately rushed from her downtown job to the school in Littleton, where she was reunited with her son, who by then was safe. Together, they became part of the lockdown that kept them both at the school for several more hours. And then, because the clock never stops, there was another show scheduled for Lamb to perform that night. And Lamb, being the pro that she is, went on. The show is a talent-laden bouquet to family audiences, a high-energy trifle meant to lift the community’s spirits during the holiday season. So what better way to stand up to violence and fear than to sing and dance? The musical revue offers some of the most popular holiday music from the past and present, much of it recast with cleverly altered lyrics to suit any given situation. And a wide variety of dancing styles, including gymnastics and a pulse-racing break-dance segment. The narrator is an elf played by Sarah Rex, alongside a deep ensemble made up of some big names in the local theater community including Lamb, Kenny Moten, Randy St. Pierre, Stephen Bertles, the very busy young Alejandro Roldan (“In the Heights” and “Next to Normal”) and Starkey’s founders, Chris Starkey and Ronni Gallup. The ensemble includes Rae Klapperich (who made the more than 100 costumes with her mother, Laurie Klapperich), Wyatt Baier, Hula-Hooper extraordinaire Ambrosia Brady, Olyvia Beyette, Cole Emerine, Erica Lloyd, Britni Girard, Jennifer Lynne Jorgensen, Anne Terze-Schwartz, Kristi Vogel and Tess Williams. In addition, there are special appearances by — I kid you not — members of the Denver Broncos Stampede Drumline, a competitive jump-roping team called the Jumping Eagles, and a dance company called Hip Hop Theatre. Not to mention 14 children and a live orchestra of six. Directed by Paul Dwyer, best known from his days as an actor at the now-closed Country Dinner Playhouse. The music director is Trent Hines; the Choreographers are Matthew D. Peters and John Gilette. Modifications have been made to make this show more accessible to individuals on the autism spectrum, who have learning disabilities or a variety of sensitivities. The show ran from through Dec. 22 at the Lone Tree Arts Center, 10075 Commons St. That’s just west of Interstate 25 and Lincoln Avenue, 720-509-1000, or go to Lone Tree’s home page. Thanks: Heidi Echtenkamp.

 

OPENING 148
At its best, live theater in schools empowers young student performers with self-confidence and a sense of both camaraderie and shared accomplishment. At any level, live theater at its best moves audiences … and these two young audience members were clearly moved to, well, move during the Willow Creek Elementary School’s musical, “Dear Edwina Junior.”

Opening No. 148: Willow Creek Elementary School’s “Dear Edwina Junior”: This middle-school fave follows the adventures of plucky advice-giver Edwina Spoonapple as she directs the neighborhood kids in a series of production numbers as part of the latest edition of her weekly “Advice-A-Palooza” extravaganza. Written in the episodic style of “You’re A Good Man, Charlie Brown,” “Dear Edwina Junior” takes turns showcasing different members of its young cast. In the case of the fifth-grade musical at Willow Creek Elementary School, one of those cast members was my nephew, Aiden, who played a vampire named Frankenguest. It must be in the (vampire) blood. Aiden his made his stage debut with the school’s “Madd Hatters” group two days shy of his 11th birthday.

 

OPENING 147Young Catamounts cast member Quinn Hirschland jumps for joy – and casts a long shadow – during a pre-show rehearsal for Feed.”

Opening No. 147: The Catamounts’ “Feed: Short and Sweet”: Boulder’s The Catamounts performance collective reference food in their slogan: “Theatre for the Adventurous Palate.” So it’s feeding, I mean fitting, that Amanda Berg Wilson’s young team has turned its unique “Feed” series into its signature offering. “Feed” offers audiences professional storytelling paired with specialty beer and locally sourced food. In this case: A roster of Sanitas beers paired with hand-crafted desserts from Kim and Jake’s Cakes; Sweet Cow Ice Cream; and pastry chefs Dorian O’Connell and Kathy Moore.) They perform while you nosh in the back brewing room at Sanita’s Brewing Company. The food and the theater fare serve as equal partners in creating a cohesive narrative here. The common ingredient for this round of stories: Each evokes sweet moments that arise from The depths of the coldest and hardest times of year, when the days are shortest and challenges the biggest. The Catamounts’ aforementioned Amanda Berg Wilson, Joan Bruemmer-Holden, McPherson Horle and Jeremy Make are joined by guest storytellers Heather Grimes (from Boulder’s “Truth Be Told” story slam) and a boy named Quinn HIrschland to perform a mix of monologues, adapted short stories and real stories from Boulder’s recent floods. There’s some A.A. Milne (“A House is built at Pooh Corner for Eeyore”) in there, with a taste of former Colorado Mines engineering student turned celebrated fiction writer George Saunders (“Tenth of December.”) A second “Feed” has been scheduled to accommodate demand at 8 p.m. Saturday, Dec. 14, at 8 p.m. at Sanitas, 3550 Frontier Ave. (off Foothills Parkway and Pearl Street). Tickets are $30. Call 720-468-0487 or go to The Catamounts’ home page.

 

OPENING 146
Introducing one of the lesser-known Knights of the Round Table: Sir Fabio. Scott Severtson, who’s not normally this … maned … plays Sir Dennis, a k a Galahad.

Opening No. 146: Boulder’s Dinner Theatre’s “Monty Python’s Spamalot”: Monty Python has come to Boulder to taunt poor King Arthur, the principled if idiotic leader of the quest for the Holy Grail. Why God the all-knowing has misplaced a cup is anyone’s guess. “Spamalot,” the Tony Award-winning best musical of 2005, lovingly rips off the beloved, warped source film, with its full allotment of dancing divas and knights, flatulent Frenchmen, killer rabbits and that one snickeringly legless fightin’ knight. While the plot loosely follows the same course of events as the film, the stage equivalent is very much its own sacrilegious thing, so do not come expecting a carbon copy. We open in Finland, after all. I mean, this is a bona fide Broadway musical, so it’s got to have some actual women too. And here those women are Laker Girls. For real. Starring Wayne Kennedy as the utterly guileless King Arthur, with Alicia Dunfee as his Lady of the Lake. The ensemble includes Brett Ambler, Scott Beyette, Brian Cronin, Barrett Harper, Jessica Hindsley, Bob Hoppe, Brian Jackson, Norrell Moore, Brian Norber, Joey Revier, Scott Severtson, Burke Walton, Tracy Warren, Tracey Zimmerman and … STG … Jerry Lewis (the real Jerry Lewis) as the Voice of God. Directed by Piper Lindsay Arpan, who appeared in the Broadway production of “Spamalot.” Showtimes: 7 p.m. Wednesdays, 7:45 p.m. Thursdays-Saturdays; 1:30 and 7:45 p.m. Sundays (dinner service 90 minutes before) through March 1 at 5501 Arapahoe Ave., 303-449-6000 or BDT’s home page Thanks: Michael J. Duran, Seamus McDonough, cast and crew.

 

OPENING 145
Noal Blessing, left, and Everett Ediger show off their varying flying machines backstage on opening night. Noal sports a Lego spaceship; Everett sends his paper airplane aloft just as the shutter is snapped. Noal, who has Spastic Cerebral Palsy and a progressive hearing deficit, and Everett, who has Spina Bifida, play the sons of George Bailey. The Phamaly Theatre Company prides itself on adding new levels of complexity and meaning to any production it takes on by virtue of the evident disabilities its actors incorporate into their stage characters. So what we have here is a George Bailey driven to the brink of suicide, only here he’s leaving behind four handicapped kids, two of them young boys in wheelchairs. That certainly adds layers to the emotion-laden issue of suicide. There are those who intractably believe that any act of suicide, for any reason, is inherently selfish and/or sinful. So the very idea of George leaving a wife behind to care for four (adorable) handicapped children here no doubt makes actor Jeremy Palmer’s challenge in playing him sympathetically that much more difficult. But young Jeremy is up to the task. It should be noted that directors Steve Wilson and Bryce Russell Alexander do not have Palmer utter the second half of Jimmy Stewart’s most chilling line of the famous source movie, which he blurts when George is at the depth of his anger and despair: “You call this a happy family? Why do we have to have all these kids?”

Opening No. 145: Phamaly Theatre Company’s “It’s a Wonderful Life”: This is the acclaimed local handicapped theatre company’s first-ever holiday presentation. The story of George Bailey and his not-so-wonderful life in Bedford Falls (he thinks) remains a timeless fable of dreams, disillusionment and, ultimately, the power of love. The cast includes Jeremy Palmer (George Bailey), Lyndsay Palmer (Mary Bailey), Trenton Schindele (Clarence), Michael Leopard (Mr. Potter) and an ensemble that includes Daniel Traylor, David Wright, Lucy Roucis, Edward Blackshere, Ashley Kelashian, Jaime Lewis, Twanna Latrice Hill, Kim Jackson, Cassie Ferro, Amber Marsh, Tammy Davison, Noal Blessing, Everett Ediger, Lily Blessing, Harper Ediger, Shannon Wilson, Alicia Young, Eric Richerson and Edric Richerson. Co-directed by Steve Wilson and Bryce Alexander. Showtimes: 7:30 p.m. Fridays & Saturdays; 2 p.m. Sundays; plus 7:30 p.m. Monday, Dec. 16 and Thursday, Dec. 19. Through Dec. 22 at the Aurora Fox, 9900 E. Colfax Ave., 303-575-0005 or phamaly’s home page. Thanks: Gloria Shanstrom, Chris Silberman, Grace Hartke and Danielle Rankin.

 

OPENING 144
Pssst …. Look who’s REALLY playing the Baby Jesus bundle of joy in Su Teatro’s holiday pastoral? Yes … It’s Minnie Ratón! I think that kid’s got a future in show biz. That’s Jessica Portillo as Proud Mary.

Opening No. 144: Su Teatro’s “La Pastorela”: “The Shepherd’s Play” recounts the epic battle between the dark angel Luzbel (Jesse Ogas and minions) and the sword-swinging San Miguel (Amy Luna). Luis Valdez’s retelling of this centuries-old folktale is a family friendly comedy that follows the trek of humble shepherds as they encounter the Angel of the Lord, who announces the birth of the Redeemer in Bethlehem. Embarking on their spiritual journey in search of the Holy Child, the scruffy shepherds find themselves beset by the demonic followers of Lucifer and Satan, who waylay them with obstacles born of their own human frailties. This adaptation is no sleepy drummer-boy version of the Nativity: it is a pageant of passion, excitement, action, adventure, music and comedy. Valdez, considered “the father of Chicano theatre,” attended Saturday’s performance. It was`his first visit to Su Teatro, though his brother, Daniel, has contributed original music for Su Teatro productions for years. Daniel is the music director of “La Pastorela.” He is in residence at Su Teatro for the next two years, to develop new work with artistic director Anthony J. Garcia as part of a two-year innovation grant from the Bonfils-Stanton Foundation. In the fields of rural California, without financial backing and using farm laborers as actors, a 25-year-old Luis Valdez singlehandedly created a movement that has since become international in scope. “La Pastorela” is also performed as part of the St. Cajetan’s Reunification Project, an annual event in which Su Teatro and the community recognize the Chicano residential community that was displaced in 1972 for Auraria to be built. Also featuring Lorenzo Gonzales, Charlie Romero, Jaycee Sanchez, an ensemble of dozens and a live band of six. Showtimes: 7:30 p.m. Thursdays through Saturdays; 2 p.m. matinees (Dec. 15 is reserved solely for AARP members and their families). Through Dec. 22 At the Su Teatro Performing Arts Center, 721 Santa Fe Drive, 303-296-0219 or su teatro’s home page. Photo by John Moore for www.CultureWest.Org. Thanks: Mica Garcia de Benavidez.

 

OPENING 142
You know what I was thinking before the opening performance of “A Christmas Carol”? It’s too bad these kid actors are so darned shy. Clockwise from center, that’s Max Raabe (nephew, I found out last night, of longtime Denver Post reporter Steve Raabe),Sam Modesitt, Edwin Harris and Connor Nguyen Erickson

Opening No. 143: Denver Center Theatre Company’s “A Christmas Carol”: The Denver Center Theatre Company’s holiday tradition turns 21 this year with a return to its opulent musical adaptation of Charles Dickens’ classic novel. Twenty-one? That’s older than, like, every kid in this picture combined. The story, of course, traces money-hoarding skinflint Ebenezer Scrooge’s overnight journey to redemption. This timeless tale illuminates the meaning of the holiday season in a way that has resonated for generations. Again starring Philip Pleasants as Scrooge, with Phamaly Theatre Company’s Leonard E. Barrett as the Ghost of Christmas Present, John Hutton as Marley, Jeff Cribbs as Cratchit, Stephanie Cozart as the Ghost of Christmas Past, Douglas Harmsen as Fred, M. Scott McLean as Young Ebenezer, Michael Fitzpatrick as Fezziwig, Leslie O’Carroll as Mrs. Fezziwig, Leslie Alexander as Mrs. Cratchit and Charlie Korman as Tiny Tim. (Check out our short video interview with Charlie here. It’s worth the two minutes, I promise). They are backed by a huge ensemble that includes Colin Alexander, Benjamin Bonenfant, Michael Bouchard, Kathleen M. Brady, Courtney Capek, Jenn Miller Cribbs, Connor Nguyen Erickson, Michael Gaessler, Tanner Gardner, Edwin Harris, Gabe Koskinen-Sansone, Kyra Lindsay, Amelia Modesitt, Sam Modesitt, Gabriel Morales-Gonzalez, Tricia Moreland, Mackenzie Paulsen, Jeffrey Roark, Christine Rowan, Thomas Russo, Maggie Sczekan, Lauren Shealy, Jake Walker and Christopher Wells. Showtimes: 6:30 p.m. Tuesdays through Thursdays; 7:30 p.m. Fridays and Saturdays; 1:30 p.m. on Saturdays and Sundays; 6:30 p.m. on Sundays. Also: 1:30 p.m. on Tuesday, Dec. 24. No performance on Wednesday, Dec. 25. No evening performance on Sunday, Dec. 29. At the Stage Theatre in the Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or the denver center’s home page

 

OVER THE TAVERN
Bas Bleu Theatre co-founder Wendy Ishii, right, greets the cast in the dressing room before they face their first audience, a sold-out house in Fort Collins. From left, Thomas Borrillo, Billy Dean Allen and Ailie Holland.

Opening No. 142: Bas Bleu Theatre’s “Over the Tavern”: This bittersweet period comedy looks back at family living over a blue-collar bar in 1959. Four children are caught between the claustrophobic authoritarianism of the Roman Catholic Church and an emotionally abusive father. Only their mother keeps this family afloat. At the center of the piece is precocious 12-year-old rebel named Rudy, who goes knuckle-to ruler-with his formidable teacher, Sister Clarissa, in the questioning of his beliefs. The cast features Thomas Borrillo as Chet (revisiting the bad-dad role he played at the Arvada Center in 2006) Ailee Holland as embattled wife Ellen and Deb Note-Farwell as old-school nun Sister Clarissa, a character who bears a striking resemblance to battleaxe Sister Aloysius in “Doubt.” Director Jonathan Farwell (he won the recent Henry Award for his performance in “Amadeus”) has gathered some fine teen and teen(ish) actors in August Slaughter (perhaps the greatest not-even-fake stage name in stage history), Billy Dean Allen as Georgie, Miles Chandler Horne as Eddie and Erin Johnson as Annie. Showtimes: 7:30 p.m. Thursdays through Saturdays; 2:30 p.m. Sundays, through Jan. 5 at 401 Pine St., Fort Collins, 970-498-8949 or bas bleu’s home page. Thanks: Wendy Ishii, Tricia Navarre and Amy Mills. More “Over the Tavern” photos will be posted in the coming days.

 

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Among this lovely crowd of sock-puppets and do-gooders are “Balls” cast members GerRee Hinshaw, Melanie Owen Padilla, Mare Trevathan and Jim Ruberto, as well as staff members from the Colorado Coalition Against Sexual Assault, including executive director Erin Jemison and program manager Karen Moldovan.

Opening No. 141: “Balls V! A Holiday Spectacular”: For the fifth straight year, a trio of “Balls Babes” and a standing bass player joined forces to present a rollicking benefit variety show that included audience sock puppet sing-alongs, spontaneous haikus and worthless prizes. “Balls” is slightly bonkers, mostly heartwarming with an emphasis on fun. It played Dec. 1 and 2 this year at Lannie’s ClockTower Cabaret. It again starred GerRee Hinshaw (host of The Bug Theatre’s “Freak Train”), Melanie Owen Padilla (of the Cedar Avenue Blues Band) and local actor Mare Trevathan of Boulder’s Local Theatre Company. Musical accompaniment by Jim Ruberto. Rotating special guests included John Common and Jess DeNicola, Lannie’s emcee Naughty Pierre, comedian Matt Monroe, singing comedian Shayna Ferm and juggler Reid Belstock. This year, proceeds went to the Colorado Coalition Against Sexual Assault, a non-profit promoting safety, justice and healing for survivors of sexual violence. If you missed this year’s “Balls,” you can still make a donation to CCASA here.

 

OPENING 139

Opening No. 140: Boulder Ensemble Theatre Company’s “The SantaLand Diaries”: National Theatre Conservatory graduate and Wheat Ridge native Matt Zambrano has constructed a dressing-room tribute to all of the recent Denver actors who have played Crumpet before him. That’s Geoff Kent’s head on the golden reindeer, and a Bille Holiday-ish Gary Culig with an elfin Bernie Cardell atop the clock radio (surrounded by, you know, Merlins and action figures). Zambrano is donning the candy-cane tights for a second straight holiday season telling David Sedaris’ real-life story of working as an elf in the New York Macy’s SantaLand display. Kent preceded Zambrano for three Decembers at the Boulder Ensemble Theatre Company; Culig played the caustic elf for 10 straight years at the Vintage Theatre; and Cardell starred for Vintage Theatre. This staging is a co-production with Denver Center Attractions, which is presenting the show in its Garner-Galleria cabaret bar. Directed by Stephen Weitz. Contains adult subject matter and explicit language. Photo by John Moore for CultureWest.Org. (Look for a full, dedicated gallery of “SantaLand” opening-night photos to come). Thanks: Heidi Bosk, Anja Hose Jess Buttery and Maxie Beth Bilyeu. Showtimes: 7:30 p.m. Thursdays through Tuesdays; also 2 p.m. Saturdays and Sundays. No performances on Wednesdays. No performance on Tuesday, Dec. 3. At the Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or the Denver Center’s ticketing page

 

OPENING 138

Opening No. 139: Arvada Center’s “A Christmas Carol”: Emily Ann Luhrs accepted two marriage proposals on Tuesday. First, as herself, she agreed to marry longtime boyfriend and “A Christmas Carol” castmate Ben Dicke, mutton chops and all. Ben (star of the self-produced “Bloody Bloody Andrew Jackson last year at the Aurora Fox), presented the ring at a private dinner before last night’s opening performance. Just an hour or so later, Emily, playing a character named Emily (!), accepted another marriage proposal from young Ebeneezer Scrooge. One not being played by Ben Dicke. Nervy! (In her defense, she does give THAT ring back.) The Arvada Center’s version of “A Christmas Carol,” back after a year off, is the 1994 musical adaptation of Dickens’ classic story, written by Mike Ockrent and Lynn Ahrens, featuring music by Alan Menken (Disney’s “The Little Mermaid”). The cast features Richard White as Ebenezer Scrooge — he was the voice of Gaston in the “Beauty and the Beast” animated film), Cole Burden (Bob Cratchit), Kitty Skillman Hilsabeck (Ghost of Christmas Future), Megan Van De Hey (Ghost of Christmas Past), Stephen Day (Ghost of Christmas Present) and Brad Nacht (Jacob Marley). The ensemble members also include Joanie Brosseau-Beyette, Stephen Cerf, Rob Costigan, Jennifer DeDominici, Maddie Franke, Kaden Hinkle, Tim Howard, Hannah Katz, Charla Mason, David Miller, Julia Perrotta, Katie Phipps, Gregory Price, Parker Redford, Vincent Rodriguez, Mark Rubald, Robert Michael Sanders, Nate Patrick Siebert, Jacob Lewis Smith, Ron Tal, Rachel Turner, Kira Vuolo and Sharon Kay White. Directed by Gavin Mayer. Showtimes through Dec. 22 at 7:30 p.m. Tuesdays through Saturdays; 1 p.m. Wednesdays; 2 p.m. Saturdays and Sundays; 7:30 p.m. Sunday, Dec. 1. No performance on Thanksgiving (Nov. 28). At 6901 Wadsworth Blvd., 720-898-7200 or the Arvada Center’s home page. Thanks: Melanie Mayner, Rod Lansberry, Pat Payne, Lisa Cook, Lisa Kurtz, cast and crew.

OPENING 137

 

Opening No. 138: Equinox Theatre Company’s “Carrie: The Musical:” This musical takes a legit stab at adapting Stephen King’s novel for the musical stage. Carrie White is a misfit. At school, she’s an outcast who’s bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s at the mercy of her wacko, overprotective mother. But Carrie has just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it… And you already know she does: When Carrie is humiliated at the prom, she wreaks havoc on everyone and everything in her path. Audiences should know that unlike recent stagings of “Night of the Living Dead” and “Evil Dead” at the Bug Theatre, “Carrie” is not a campy satire. It is written very much in the vein of traditional Broadway fare. “Carrie” stars Haley DiVirgilio, Terra Salazar, Shahara Ray, Dana Hart Lubeck, Devin Bustamante and Ember Everett; and features Chris Arneson, Joseph Graves, Savannah Lake, Chelsea Winslow, Ashley Brown, Taylor Sommer, Chris Riney, James L. Crapes and Zach Nick. Directed by Colin Roybal and Hunter Hall. Showtimes: 7:30 p.m. Fridays and Saturdays through Nov. 30 at the Bug Theatre, 3654 Navajo St., 720-984-0781 or equinox’s home page. Thanks: Lauren Meyer, Deb Flomberg, Leticia Bisgard, cast and crew.

 

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Opening No. 137: Midtown Arts Center’s “Les Misérables”: This production closed on Saturday night, but the buzz on it was so strong all the way down from Fort Collins, I wanted to see it — and represent it in our photo series — before it was too late. And it lived up to its billing. They may have been prodded, but it didn’t take much cajoling to get the screaming dinner patrons to wave their red napkins at the curtain call in support of the rebellion — and the production they had just seen. In all, more than 9,000 attended “Les Misérables” during its 12-week run, making it the second-most attended show in Midtown (formerly the Carousel Dinner Theatre) history. No. 1: “Shrek, the Musical.” “Les Misérables” featured a cast made up of both established local actors and a few who were brought in from New York. It starred David Ambroson as Jean Valjean and featured Brandon Schraml as Javert, Amy Madden Copp as Fantine, Nigel Huckle as Marius, Colleen Johnson as Eponine, Lisa Carter as Cosette, Colin Morgan as Enjolras, Michael Lasris as Thenardier and Jalyn Courtenay Webb as Mrs. Thenardier. The directors were Kurt Terrio, Jalyn Courtenay Webb (vocals) and Casey Cropp (orchestra). Thanks: cast and crew.

 

OPENING 136SM

Opening No. 136: Denver Center Theatre Company’s “Jackie & Me: Linda G. Alvarado, co-owner of the Colorado Rockies baseball team, congratulates 22-year-old actor Aaron Davidson for his opening-night performance by allowing him to wear her 2007 World Series ring. Davidson, a Colorado native and graduate of the Denver School of the Arts, plays Joey Stoshack, a 12-year-old boy who is bullied because of his Polish descent. When the boy goes back in time to 1947, he not only witnesses Jackie Robinson break the baseball color barrier, his own skin color changes in the process, giving him a whole new perspective on prejudice and discrimination. Alvarado is president and CEO of Alvarado Construction, Inc., which built Sports Authority Field at Mile High. She is also a member of the Colorado Women’s Hall of Fame and was named one of the 100 Most Influential Hispanics in America by Hispanic Business Magazine. When the Rockies were awarded a franchise, Alvarado became the first Latino owner, male or female, in Major League Baseball history, and the second female owner in the big leagues. “Jackie & Me” is written by Denver native Steven Dietz, who also wrote “Rancho Mirage,” which is presently being performed by the nearby Curious Theatre Company through Dec. 7. “Jackie & Me” is directed by Stephen Weitz. Also starring William Oliver Watkins (top right of photo) and featuring Michael Santo, Kristen Adele, Ryan Wuestewald, Diana Dresser, Timothy McCracken, Leigh Miller, John Jurcheck and Justin Walvoord. It runs through Dec. 22 in the Space Theatre. Showtimes are variable because of a preponderance of student matinees during the week. Generally there are public performances at 7:30 p.m. Fridays; 1:30 p.m. and 7:30 p.m. Saturdays; and 1:30 p.m. Sundays. Call 303-893-4100, or go to the Denver Center’s web site. Thanks: Lyle Raper, Alexandra Griesmer.

Video: Watch as the cast of “Jackie & Me” takes a field trip to a Lakewood batting cage, and gets a tour of Coors Field.

 

OPENING 135SMBW
Pictures of pictures of cast members arranged on a lit lobby tree. Not pictured: Kevin Lowry.

Opening No. 135: Betsy Stage’s “The Travesty of Lear”: There’s a new theater sheriff in town, and she’s doing things a little differently. Shannon McAndrews is the general manager of the Betsy Stage (not to be confused with Boulder’s BETC, also colloquially referred to as “Betsy”) and get this — the shows are all free. Always. And the actors get paid. Decently, even. How do they do it? There’s a benefactor, McAndrews says. A Lear with a kingdom, apparently, to partition out, only for the making of art. The company’s mission is to “adapt Elizabethan theater for a new audience.” Here, Shakespeare’s “King Lear” is set in the Old West. Lear is the owner of the Scarlet Slipper Saloon. Here he divides his kingdom by putting his three favorite prostitutes to the test. The script is rife with one-liners, but sticks to the Shakespeare in tone. They call in “Shakespeare spiked,” but it’s more like Shakespeare with a “Deadwood” ear. You may recognize some of the names — Phil Luna and Kevin Lowry, for example, but even those you might not recognize make for a pretty decent ensemble. Starring Michael Vasicek as Lear and also featuring Patti Murtha, Brooks Mullen, Michal Andrea Meyer, Jacob Abbas, Todd Simmonds, Elinor Reina, Jeannie Saracino, Jim Hitzke and R.J. Harris. Directed by Samantha McDermott. Again, all tickets are free … really … the bar is even run on an honor system. But please call for reservations, or email Lear@Betsystage.com (though you won’t be turned away if you don’t). “The Travesty of Lear” plays through Jan. 25. Showtimes: 8 p.m. Thursdays through Saturdays; 2 p.m. Sundays at 1133 S. Huron St., 720-328-5294 or go to betsy’s home page. Thanks: Jennifer McCray.

 

OPENING 134
Erik Edborg, left, and Andrew Horwitz backstage before Buntport’s “Electra Onion Eater.” Some photos … some completely candid photos … require no explanation.

Opening No. 134: Buntport Theater’s “Electra Onion Eater”: “Hilarious. Squeamish. Incorrigible … Sunburnt.” Ladies and gentlemen, I think we have stumbled upon Buntport Theater’s new slogan. Buntport kicks off its 13th season of innovative, organic and original collaboration with a modern adaptation of Sophocles’ classic yarn. Set in the kitschy pop-culture world of the 1970s, Electra waits patiently for her studly, sunburned brother (a hybrid of Selleck, Reynolds, Hasselhoff and Hutch, to return home in order to enact revenge on their mother for killing their father (who had killed their sister — you know, just the usual family dynamic). With nothing but time on her hands, Electra watches soap operas, cuts patches in her scalp and makes onion pies as offerings to the gods. Also featuring Erik Edborg, Hannah Duggan and guest star Drew Horwitz as … Bruce. And Samantha Schmitz pushing all the right buttons. Showtimes: 8 p.m. Thursdays through Saturdays; 3 p.m. Sundays through Nov. 23 at 717 Lipan St. Call 720-946-1388 or go to Buntport’s web page.

 

OPENING 132
Brian Landis Folkins puts one of his core performing skills — juggling — to useful use before a performance of “Cat on a Hot Tin Roof” at the Edge Theatre.

Opening No. 133: The Edge’s “Cat on a Hot Tin Roof”: Brian Landis Folkins plays the boozy, brutal and broken Brick, who is tormented by the death of his best friend (and the incriminating inferences made about that friendship) in Tennessee Williams’ uncompromising tragedy, presented here in its ugly, unedited glory by director Angela Astle. In the tradition of O’Neill’s “Long Day’s Journey Into Night,” the play follows one long day of a Southern family in inebriated crisis. (But which came first? “Long Day’s Journey” was written 13 years earlier, but wasn’t published until a year after “Cat” won Williams a Pulitzer Prize in 1956.) The story is set on the night of a gathering at the family estate in Mississippi to celebrate the birthday and apparent good health of patriarch Big Daddy Pollitt (Russell Costen). Much like “Death of a Salesman,” the story is a constant joust between appearances and delusion and the malleable, elusive truth. And starving in the corner of this house of malice and death is a wounded, feral alleycat named Maggie (Maggy Stacy). Also featuring Emma Messenger, Marc Stith, Kelly Alayne Dwyer, Ryan Goold, Bob Byrnes, Geri Crawley, Banji Osindero, Sonsharae Tull, Amelia Modesitt, Sam Modesitt, Aliza Fassett and Pace Becker. Showtimes: 7:30 p.m. Fridays and Saturdays; 6 p.m. Sundays through Nov. 17 at 1560 Teller St., Lakewood, 303-232-0363 or the edge’s home page. Photo by John Moore for www.CultureWest.Org. Thanks: Amelia Retureta, Rick Yaconis, Patty Yaconis. To see the entire “Opening Nights” photo series, click here: www.culturewest.org/?p=6068.

 

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Dawn Bower, left, and Sasha Fisher put the dancing in the “Dancing at Lughnasa” during a pre-show “dance call.”

Opening No. 132: 11 Minutes’ ‘Dancing at Lughnasa’: 11 Minutes Theatre Company’s “Dancing at Lughnasa”: The 11 Minutes may be one of the area’s newest theater companies, but they perform in the historic and cozy Arvada Festival Playhouse, believed to be the oldest building in Arvada. The company is the work of Janine Ann Kehlenbach, who has put together a tight and talented “Dancing at Lughnasa,” Irish playwright Brian Friel’s answer to “The Glass Menagerie.” It’s a memory play told intermittently through a narrator (a wonderful Andrew Uhlenhopp) as he remembers one summer in 1936 with his mother and four aunts. As he recounts the story, we go back in time and watch as these five feisty women confront their loves, hardships and a society whose customs are not changing fast enough. Also featuring Margaret Amateis Casart, @Sasha Fisher, Janet Mylott, Sara Michael, Dawn Bower, Kevin R. Leonard (“Sordid Lives”) and Charlie Ault as the uncle missionary who has just returned from an African leper colony with malaria. Ault’s family started the Festival Playhouse’s resident company (the Festival Players) nearly 80 years ago. Their next offering is “Somethin’ Special for Christmas,” opening Nov. 19. “Lughnasa” plays through Nov. 16. Showtimes: 7:30 p.m. Fridays and Saturdays, 2 p.m. Sundays; also 7:30 p.m. Thursday, Nov. 14 at 5665 Olde Wadsworth Blvd., 303-422-4090, or go to the Festival Playhouse’s home page. Photo by John Moore for www.CultureWest.Org. Thanks: Janine Ann Kehlenbach, Amy Hanselmann and Donna Ault.

 

OPENING 131
“It’s been a year … did you miss me, Denver?” “Rancho Mirage” marks oft-honored freakyman actor Bill Hahn’s return to the stage since last appearing at Curious in “The Elaborate Entrance of Chad Deity.” Here, he plays a freakily normal-seeming suburban husband. Which, for Bill, is, you know … freaky.

Opening No 131: Curious Theatre’s “Rancho Mirage”: Colorado native Steven Dietz’s latest play continues Curious’ entire season of evident if perhaps unintentional looks at dysfunctional family relationships. Here, six longtime “friends” (?) gather for one final dinner party. The evening unfolds with comic surprises, alarming secrets and near-farcical bombshells. Also featuring Erik Sandvold, Emily Paton Davies, C. Kelly Leo, David Russell, Karen Slack and Devon James. Directed by Christopher Leo. Dietz is now the most produced playwright in Curious history. Dietz also wrote “Jackie & Me,” which will be performed by the Denver Center Theatre Company, opening Nov. 15. “Rancho” showtimes: 8 p.m. Thursdays-Saturdays; 2 p.m. Sundays through Dec. 7 at 1080 Acoma St., 303-623-0524 or Curious’ web page. Thanks: Sean Cummings, Kate Marie.

 

OPENING 130
Oooh, Edgar Allan Poe, he’s so scary, can’t you tell? From left: Nancy Flanagan, Seth Maisel, Kristin Mair and Michael Gurshtein yuk it up before one of the Byers-Evans House Theatre Company’s final performances before the troupe moves to RiNo as the new Ripple Effect Theatre Company.

Opening No. 130: Byers-Evans House Theatre Company’s “Evermore”: Maggie Stillman’s company, which specializes in the period macabre, is presenting its final show in the environs of the Byers-Evans House. She’s renaming her troupe the Ripple Effect Theatre Company and moving into a bona-fide theater in RiNo that is about to be vacated. (We’ll leave it to you to connect those dots.) Her goodbye to the museum tells the romantic whims and publishing difficulties of Edgar Allan Poe. We open October 1849. Poe has recently died, and his literary executor is compiling Poe’s works for posthumous publication. Memories of Poe’s final years full of love, hate, loss, and literature are played out through the memories of Dr. Griswold and Poe’s mother-in-law, Maria Clemm. Poe’s best-known tales and poems are woven into the dialogue. Featuring Seth Maisel, Kristin Mair, Michael Gurshtein and Nancy Flanagan. Directed by Ed Berry. Showtimes: 7:30 p.m. Fridays and Saturdays; 6 p.m. Sundays through Nov. 16 at 1310 Bannock St., 303-620-4933. Thanks: Dana Huss, Orianna Keating and Maggie Stillman. Click here to see the complete “Opening Nights” photo series.

 

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Burke Walton works hard for your money … so you better treat him right.
Opening No. 129: Boulder’s Dinner Theatre’s “The Full Monty”: The photo above shows a side of working the dinner-theater circuit that most audiences don’t see: The actors settling up at the end of each performance. (Most times they don’t do it in robes, but most times, it’s not “The Full Monty,” hah.) Most actors also bus tables for the tips that, combined with their acting stipends, help make for something approximating a liveable wage doing what they love to do on the stage. It’s a good opportunity to remind readers that when you attend theater that involves personal service, the performers are primarily working for your gratuity. OK, so back to “The Full Monty”: Based on the popular British film, this now ubiquitous tale has five unemployed steelworkers (moved for the stage to Buffalo) who come up with a bold way to make some quick cash: By taking off their clothes. In the process, they find renewed self-esteem and the importance of friendship. “The Full Monty” stars Seth Caikowski as Jerry, the gruff but well-meaning dad who’s desperate to make some cash to keep visitation rights with his son. Also featuring Joel Adam Chavez as Dave; Scott Beyette (also the director) as Harold, Burke Walton as Ethan, Brett Ambler as Malcolm, and longtime big-time vocalist Robert Johnson (17th Avenue All-Stars) as Horse. The cast also includes Alicia Dunfee, Shelly Cox-Robie, Amanda Earls, Jason Vargas, Joanie Brosseau, Scott Severtson, Tracy Warren, Jessica Hindsley, Norrell Moore, Bob Hoppe (alternating with Matthew D. Peters), and young Thomas Russo as Nathan (alternating with Kaden Hinkle). Showtimes: 7 p.m. Wednesdays, 7:45 p.m. Thursdays-Saturdays; 1:30 and 7:45 p.m. Sundays (dinner service begins 90 minutes before) through Nov. 9 at 5501 Arapahoe Ave., 303-449-6000 or go to BDT’s home page. Thanks: Michael J. Duran, Seamus McDonough, Neal Dunfee and Brian Jackson.

 

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The cast of the Evergreen Players’ “All My Sons” circles up for one last bit of bonding before taking the stage. Joe Wilson, left, had just left the pre-show ritual to take a final solitary moment in the dressing room before the play began. He plays Joe Keller.

Opening No. 128: Evergreen Players’ “All My Sons”: Arthur Miller wrote “All My Sons” as a final attempt at writing a commercially successful play. If the play failed to find an audience, he had vowed “to find some other line of work.” What resulted was perhaps his masterpiece. “All My Sons” is based on a true story a child who informed on her father who had sold faulty parts to the U.S. military during World War II. Asked in a TV interview what about the story had inspired him, Miller said, “I was fascinated by the idea that a child could have this kind of moral courage.” When asked why he changed the gender of the character for his play, Miller said, “At the time I didn’t understand women very well.” The cast features Joe Wilson, Jacquie Jo Billings, Jennifer Condreay, Jordan Crozier, Cindy Laudadio Hill, Brandon Palmer, Ken Paul, Eric Ritter, JR Cody Schuyler, and young Spencer Coffey as young Bert. Directed by Len Matheo. Showtimes: 7:30 p.m. Fridays and Saturdays; 2 p.m. Sundays through Nov. 10 at Center/Stage, 27608 Fireweed Drive, 303-674-4934 or go to the Evergreen Players’ home page. Photo by John Moore for www.CultureWest.Org. Thanks: Rachael Henney. To see the entire “Opening Nights” series to date, click here.

 

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Among the many ridiculous tasks contestants must endure is having a salad tossed … onto your head. For starters.

No. 127: Off-Center @ The Jones’ “Wheel of Misfortune”: This new theatrical adventure from is billed as “the scariest game show ever.” It invites audience members to compete in everyday tasks that Vanna’s … er, Bruce’s magic Wheel of Misfortune makes terrifyingly difficult. Competitors must master trivia, solve puzzles and surmount ridiculous physical obstacles — all for your enjoyment. (If you are not one of the contestants). The two finalists will go head-to-head in a lightning round designed by the LIDA Project’s Brian Freeland. (He’s not only the purveyor of some of the freakiest theater in town, he’s moving to New York after all of this is over — so he has nothing to lose.) To maximize the contestants’ humiliation, “Wheel of Misfortune” is being videotaped, as any game show should be, for later airing as an online web series. They are touting “Wheel of Misfortune” as “the show that everyone might one day be possibly raving about.” The hosts are Bruce Montgomery, Mark Sonnenblink and Emily K. Harrison. The second of two initial tapings is at 8 p.m. Friday, Nov. 1 at The Jones, Denver Performing Arts Complex, 1101 13th St. (Speer Boulevard and Arapahoe Street), 303-893-6090 or off-center’s home page. Photo by John Moore for www.CultureWest.Org. Thanks: Jane McDonald, Charlie Miller, Emily Tarquin. To see the entire “Opening Nights” series to date, click here. Read my profile of game-show host Bruce Montgomery here.

 

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Opening No. 126: Phamaly Theatre Company’s “Vox Phamalia: G.I.M.P. Nation”: Who’s a douchebag? According to the Disability News Team (Daniel Wheeler, left, who has Crohn’s Disease, and Stewart Caswell, who has cerebral palsy), it’s the CEO of Goodwill Industries, who lobbied for legislation that allows businesses to pay the handicapped a fraction of minimum wage based on their performance on a test that measures their ability to complete ordinary tasks against able-bodied people. That’s one example of the cutting but good-natured comedy that director Edith Weiss gets out of her cast for this annual sketch-comedy revue. This year’s show features all-new material including “Sex and the Pity,” “Suicide Hotline” and “Your Own Private Hell.” Plus, they explore the subject of dwarf-tossing. Vox Phamalia is the result of an annual writing-to-performance development workshop with Weiss, designed for Phamaly members. The cast includes 15 actors with disabilities, including veterans Lucy Roucis, David Wright, Amber Marsh and James Sherman, along with new or near-new faces Harper Liles, Dominique Frary, Daniel Wheeler, Jeff Zinn, Khea Craig, Paul Migliorelli, Stewart Caswell, Kim Jackson and Naomi Morrow. Intended for audiences 16 and older. Showtimes: 7:30 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays at 2 p.m.; also 7:30 p.m. tomorrow (Monday, Oct. 28) at the Laundry on Lawrence, 2701 Lawrence St., 303-575-0005 or phamaly’s home page. Thanks: Jean Egdorf and Gloria Shanstrom.

 

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There’s nothing elder about A.J. Holmes and Nic Rouleau, the young actors who play the idealistic Elders Cunningham and Price in the national touring production of “The Book of Mormon.” They are pictured here after the official opening night of the Tony-winning musical’s second national touring stop in Denver on Oct. 23. The party location was Pizza Republica.

Opening No. 125: National touring production of “The Book of Mormon.” When the first “Book of Mormon” national touring production debuted in Denver last year, the 51,000 available seats moved in five hours. By the time the longer return engagement opened here on Tuesday, nearly all of the 111,506 seats already were snatched up. Broadway’s 2011 Tony-winning best musical has moved from the Ellie Caulkins Opera House into the Buell Theatre, opening up about another 600 seats per performance. Like the first national company a year ago, the Denver engagement launches the second national tour with a new cast headed by Nic Rouleau, who plays Elder Price, and A.J. Holmes, who plays Elder Cunningham. The musical tells the story of two young Mormon missionaries sent to a remote village in northern Uganda, where a brutal warlord is threatening the local population. Naive and optimistic, the two missionaries try to share their scriptures – which only one of them knows very well – but have trouble connecting with the locals, who are more worried about war, famine, poverty and AIDS than about salvation. This profane, witty religious satire lampoons organized religion and traditional musical theater. It was written by Colorado natives Trey Parker and Matt Stone (“South Park”) with Robert Lopez (“Avenue Q”). The cast includes Tallia Brinson, who appeared in the Denver Center Theatre Company’s “Ruined.” Directed by Casey Nicholaw and Trey Parker. There are scattered single tickets remaining, and a daily lottery for 24 discounted, front-row seats will be held 2 1/2 before every performance. Contains explicit language. Showtimes: 7:30 p.m. Tuesday-Fridays; 2 and 7:30 p.m. Saturdays; 2 and 7:30 p.m. Sundays through Nov. 24. At the Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or the denver center’s home page. Photo by John Moore. Thanks: Heidi Bosk.

 

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Pals and co-stars Steve Emily, left, and Matt Radcliffe enjoy a lighthearted backstage moment (Matt is pretending to toss scalding coffee in his partner’s face) before a recent performance of “A Steady Rain” in Colorado Springs.

Opening No. 124: “Springs Ensemble Theatre’s “A Steady Rain”: If you loved “The Shield” on FX, you are certain to get Vic Mackey flashbacks while watching the equally round-headed rogue cop played by Steve Emily in this uncompromising crime drama by Keith Huff. In the story, two cops are longtime partners, best friends since childhood … and seriously flawed human beings. One is single, a recovering alcoholic and lonely. The other is married with children, but there are clearly … shades of Mackey. What begins as a routine domestic disturbance call snowballs into an uncompromising downfall that tests their loyalties. For mature audiences. Through Oct. 27. Starring Steve (Vic Mackey) Emily as Denny and Matt Radcliffe as Joey. Directed by David Palmbeck. Remaining showtimes: 7:30 p.m. Thursday through Saturday, plus 4 p.m. Sunday, Oct. 27, at 1903 E. Cache La Poudre in Colorado Springs. Call 719-447-1646 or go to springs ensemble’s home page. Photo by John Moore for www.CultureWest.Org.. Thanks: Keri Pollakoff and Keegan Jenney.

 

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Opening No. 123: The Catamounts’ “Failure,” A Love Story”: Meredith C. Grundei, playing one of the fated Fail Sisters, goes for a pre-show swim practice safe in the arms, er, feet, of castmates Ed Cord, front, and Ryan Wuestewald. Her character swims the Chicago River. “Failure” is a fanciful musical fable about the triumphs, aspirations and untimely demises of three Chicago sisters who never saw death coming. Set in 1928 in a clock shop on the edge of the Chicago River, this wistful comedy that tells the stories of all three sisters, and the one man who loved them all. “Failure” also features Joan Bruemmer, Ed Cord, Crystal Verdon Eisele, Michelle Hurtubise, Trina Magness, Jeremy Make and Jason Maxwell, with Nina Rolle providing live various music (which includes a bell on her head). There are four remaining performances, at 8 p.m. tonight (Oct. 21, all ticket sales will go toward flood relief in Boulder County), Thursday, Friday and Saturday (Oct. 26) at the Dairy Center for the Arts, 2590 Walnut St., Boulder. The Saturday performance will be preceded by a community meal from a menu inspired by the play. Call 303-440-7826, or go to the The Catamounts’ home page. Photo by John Moore for www.CultureWest.Org.. Thanks: Andy Bakehouse

 

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Opening No. 122: Denver Center Theatre Company’s “The Most Deserving”: Hold that tiger! Or should I say, “Hold that, Tiger?” Sam Gregory wants you … to see him (very nearly ALL of him) in the Denver Center’s world premiere comedy about amateur art and amateur politics in a tiny West Kansas town. The local arts council has $20,000 to award to a hometown artist with an “under-represented American voice.” Should they choose the son of a town big-shot, thus guaranteeing their continued funding; or the mentally unstable, self-taught “Trash Man” who creates religious figures out of rubbish? Gregory, believe it or not, is NOT playing the unstable Trash Man. Rather, he’s a ponytailed British beatnik on the lookout for a shag. (And a member of the town arts council.) The play explores how gossip, politics and opinions of art can decide who is “the most deserving.” Also featuring Jeanne Paulsen, Judith Hawking, Rebecca Miyako Hirota, Craig Bockhorn and Jonathan Earl Peck (who once played Othello at the Colorado Shakespeare Festival). Written by Catherine Trieschmann. Directed by Shelley Butler. “The Most Deserving” runs through Nov. 17 at the Ricketson Theatre, Denver Performing Arts Complex, 14th and Curtis streets. Showtimes: 6:30 p.m. Tuesdays through Thursdays; 7:30 p.m. Fridays; 1:30 and 7:30 p.m. Saturdays; 1:30 p.m. Sundays. Call 303-893-4100 or go to the denver center’s home page. Thanks: Rachel Ducat, Mariah Becerra.

 

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Julia Hemp as Belle and Mateo Correa as Belle and Lumiere in the Denver School of the Arts’ no-holds-barred fall musical, “Beauty and the Beast.”

Opening No. 121: Denver School of the Arts’ “Beauty and the Beast”: Denver School of the Arts is an arts magnet school that serves grades 6-12 in the Denver Public Schools. It regularly produces such top-notch theater kids that recent graduate Gabriel Ebert just won the Tony Award as best supporting actor in a Broadway musical (for “Matilda”) — and he never even did musicals back at DSA. Saturday’s first-ever DSA Friends Foundation gala showed off students in every discipline, but centered on a no-holds-barred performance of “Beauty and the Beast.” Sporting a cast of more than 80, an orchestra of 25 and production values professional companies would theatrically die for, the students managed to produce a staging that, while still very much educational theater, managed to meet or exceed any reasonable professional expectations in several areas. DSA teacher Shawn Hann directed the spectacle (her first at the school in three years), and the endlessly creative choreography was by Brandon Becker. (“Be Our Guest” pulled a mid-show standing O — and it deserved it.) The results were so stirring, we can forgive the director for her absolutely adorable sucker-punch: Casting her cutey-pie 5-year-old daughter Tihun Hann as the Dinner Bell. The show starred Julia Hemp as Belle, Austin Marquez as the Beast, Logan D. Snodderly as Gaston, Jimmy Bruenger as Lefou (he played the spunky, doomed Gavroche in the Arvada Center’s “Les Mis” back in the day), Mateo Correa as Lumiere, Jeremy Willis as Cogsworth, Taylor Bowman as Mrs. Potts, Madison Kitchen as Bebette, Randy Ho as Maurice, Jackie Smook as the Wardrobe, and dozens more. Saturday’s performance was preceded by the presentation of the school’s first Community Arts Leadership Award, which went to “Just Like Us” author Helen Thorpe. The stage adaptation of Thorpe’s book opens for previews on Oct. 4 by the Denver Center Theatre Company. The award presenter was Susan Daggett, an environmental attorney, DSA mom and wife of Colorado Senator Michael Bennet. (Their daughter made a video appearance in the Denver Center’s production of “The Giver” last season.) Also in attendance was Colorado Gov. John Hickenlooper. Read more about that here.

 

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Opening No. 120: Boulder Ensemble Theatre Company’s “Seminar”: John Ashton capped a crazy week with a triumphant opening performance on Friday night. Three days before the opening performance, Ashton was deployed by his day job, FEMA, to working 12-hour daily shifts in response to the flooding in Boulder. The extra busy-ness didn’t seem to affect his performance. He’s pictured above before the show, running through a tense scene opposite stage manager Maxie Beth Bilyeu. In Theresa Rebeck’s latest exploration of nasty human behavior, four aspiring young novelists find themselves in over their heads when they sign up for private writing classes with Leonard, a force of nature and washed-up international literary figure (Ashton). Under his reckless instruction, the wordplay is not the only thing that turns vicious. Recommended for 16 and older. Featuring Matthew Blood-Smyth, Devon James, Mary Kay Riley and Sean Scrutchins. Directed by Stephen Weitz. Showtimes: 7:30 p.m. Thursdays through Saturdays; plus 4 p.m. Sundays through Oct. 20 at the Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or betc’s home page. Thanks: Maxie Beth Bilyeu, Rebecca Remaly Weitz.

 

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Opening No. 119, Denver Center Theatre Company’s “Death of a Salesman”: Some call this the most important play ever written, and after actors Mike Hartman and Lauren Klein conquered the iconic roles of Willy and Linda Loman on opening night, the real-life married couple deserved a party. Though they settled for a seat. Arthur Miller’s Pulitzer- and Tony-winning drama is the story of an aging, deluded and failing salesman who cannot accept that his dreams for his family are no match for the sad realities of their ordinary lives. This heartbreaking indictment of the American Dream is an actor’s dream. Showtimes: 6:30 p.m. Tuesdays through Thursdays; 7:30 p.m. Fridays; 1:30 and 7:30 p.m. Saturdays; 1:30 p.m. Sundays through Oct. 20 at the Space Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or www.denvercenter.org. Photo by John Moore for www.CultureWest.Org.

 

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Opening No. 118: National touring production of “Sister Act”: Kingsley Leggs plays bad-guy Curtis Jackson on stage, but in real-life, nice guy Kingsley makes the painfully early morning rounds with local radio stations, pictured here with KOOL 105’s Kris and Kelly, and later with KEZW’s Rick Crandall. Denver audiences know Kingsley from the extended world premiere of “Almost Heaven: Songs and Stories of John Denver” with the Denver Center Theatre Company. Now he’s playing in the movie-turned-musical that Whoopi Goldberg made famous. “Sister Act” tells the story of Deloris Van Cartier, a wannabe diva whose life takes a surprising turn when she witnesses a crime and the cops hide her in the last place anyone would think to look — a convent. Showtimes: 7:30 p.m. Tuesday-Fridays; 2 and 7:30 p.m. Saturdays; 2 and 7:30 p.m. Sundays through Oct. 6 at the Buell Theatre, 14th and Curtis streets, 303-893-4100 or www.denvercenter.org. Photo by John Moore for www.CultureWest.Org.

 

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Opening No 117: The Wit Theatre’s “Edges: A Song Cycle”: The Wit Theatre Company executive director Kristin Honiotes congratulates the cast of “Edges, A Song Cycle” with a toast before the opening performance. That’s Alex Evert and Blake Nawa’a to her left. This non-traditional musical follows burgeoning adults sorting through classic coming-of-age questions. The songs cover universal issues such as love, commitment, identity and meaning. Characters confront emotions, escaping expectations and deciphering complicated relationships. Written by Benj Pasek and Justin Paul, recipients of the 2006 Jonathan Larson Award. Directed by Valerye Rene and featuring Marissa Romer, Blake Nawa’a, Tyler Nielson, Alex Evert, Erica Trisler, Nancy Begley, Juliet Garcia, Christopher Galinski and Chris Arneson. Showtimes: 7 p.m. Fridays and Saturdays through Oct. 5 at the Crossroads Theater, 2590 Washington St., 303-296-3798 or wit’s ticketing page at http://thewittheatrecompany.ticketleap.com/edges. Photo by John Moore for www.CultureWest.Org. To see the complete “Opening Nights” photo series to date, click here: www.culturewest.org/?p=6068

 

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Opening No. 116: Starkey Theatrix’s “Bingo, the Musical”: This audience-included musical comedy is about a group of die-hard Bingo players who let nothing get in the way of their weekly game. Best girlfriends Vern, Honey and Patsy brave a terrible rainstorm (life imitating art?) to get to their game. As the storm knocks out power at the Bingo hall, audiences learn of an another ominous night 15 years before that created a still-unresolved conflict. In-between the number-calling, superstitious rituals and fierce competitions, long-lost friends reunite. Audiences play three games of Bingo along with the cast. Directed by Ben Dicke and featuring Jona Alonzo, Sarah Grover, Lacey Connell, Jennifer Lynne Jorgenson, Alannah Moore, Laura Presley Reynolds and Josh Nelson. This special engagement runs this weekend only. Remaining showtimes: 7:30 p.m. Friday (Sept. 13); 2 p.m. and 7:30 p.m. Saturday (Sept. 14); 2 p.m. Sunday (Sept. 15). At the PACE Center, 20000 Pikes Peak Ave., Parker, 303-805-6800 or PACE’s ticketing page. Thanks: Shaun Albrechtson and Ronni Stark.

 

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Opening No. 115, Arvada Center’s “Camelot”: A shy young Nate Patrick Siebert, one of two boys who play Tom of Warwick, prepares to present castmate David Bryant Johnson, who plays King Arthur, with flowers at the cast party following Tuesday’s opening performance. This classic Lerner and Lowe musical focuses on the love triangle between King Arthur of England, his feisty Queen Guenevere; and the invincible French knight, Sir Lancelot. With one glimpse at the lovely Guenevere, Lancelot falls hopelessly in love, and the story becomes one of tragic consequence. Numbers include “The Lusty Month of May” and “If Ever I Would Leave You.” Directed by Rod Lansberry. Musical director David Nehls. Starring Johnson, Melissa Mitchell (Guenevere), Glenn Seven Allen (Lancelot), William Thomas Evans (Merlyn, Pellinore), Aaron M. Davidson (Mordred), Jennifer DeDominici (Nimue), Jeffrey Roark (Sir Dinadan), Michael Bouchard (Sir Sagramore), Matt LaFontaine (Sir Lionel) and Megan Van De Hey (Morgan Le Fey). Ensemble members are Stephen Day, Kitty Skillman Hilsabeck, Karen M. Jeffreys, Heather Lacy, Daniel Langhoff, Ian McCauley, Rebekah Ortiz, Parker Redford, Lauren Shealy, Jacob Lewis Smith, Bethany Swiontek, Rachel Turner and Benjamin Wood. Young Brady Dalton and Nate Patrick Siebert alternate as Tom of Warwick. Their show only just opened and it already has been extended to Oct. 6. Showtimes: 7:30 p.m. Tuesdays, Wednesdays, Thursdays, Fridays and Saturdays. Matinees 1 p.m. Wednesdays; 2 p.m. Saturdays and Sundays. 6901 Wadsworth Blvd., 720-898-7200 or the arvada center’s home page. Thanks: Melanie Mayner, Pat Payne, cast and crew.

 

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Is it Flash — ah-ah — savior of the universe?! Or Todd Black just being a big (non-strip) tease backstage before Monday’s performance of “Next Fall?”

Opening No. 114: Firehouse Theatre’s “Next Fall”: Luke is devoutly religious. Adam is an atheist. This Broadway play by Geoffrey Nauffts recounts the ups and downs of an unlikely gay couple’s five-year relationship, leading to an explosive familial confrontation following a critical accident. Starring Mark Lively and Todd Black, featuring Michael Leopard, Judy Phelan-Hill, Brian J. Brooks and Johanna Jaquith. Directed by Steve Tangedal. Co-produced by Theatre Out. Showtimes: 7:30 p.m. Fridays and Saturdays; 6:30 p.m. Sundays Through Sept. 28 at the John Hand Theatre, 7653 E. 1st Place, 303-562-3232 or firehouse’s home page . Thanks: Andrew Hunter, Helen Hand.

My review of the Broadway production of “Next Fall”

Quote: “You don’t have to believe in hell to walk around believing that you are going to burn in it.”

This riveting, familiar family tragedy starts with a car accident that leaves a strapping young man comatose and clinging to life. But the real collision is about to come down between his lover and the encroaching fundamentalist family who never knew — or at least acknowledged — that their son is gay. Rife for the possibility of cliche, Geoffrey Nauffts’ drama instead deftly weaves one of the hot-button social issues of the day into an understandable and achingly unwinnable conflict between flawed, knowable characters on both sides of the family tree. Zigging from past to present (as most new plays now seem to do), we see how this unlikely romance bloomed between a spiritual (yet still closeted) southern Christian hunk and the jaded — and refreshingly kind of jerky — older New Yorker he somehow fell in love with.

The playwright raises fair points about the inherent contradictions of fundamentalism and the sadly nonexistent place a gay man has in making critical medical decisions for a loved one. But it’s flawed — it’s too long and gets ideologically confused by the unnecessary presence of one support character. It’s most compelling because the two immoveable forces here — the young man’s racist, homophobic father and his intractable lover — are both obstinately set in their ways. Still, I can’t remember the last new play I’ve seen that had audiences openly sobbing by the end. My main misgiving: The story ends in the only way you can imagine it might, and I was hoping the playwright might instead invoke his right to mess with our minds. That might have changed the questions we’re left with after an ending that, as written, leaves little doubt about who was right all along.

 

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Opening No. 113: Curious Theatre’s “After the Revolution”: Sisters! Lauren Bahlman, right, tries to get a rise out of Jessica Robblee before the opening curtain. In this new play by Amy Herzog, a passionate young woman named Emma Joseph proudly carries the torch of her family’s long-held Marxist ideals by devoting her life to the memory of her legendary, blacklisted grandfather. When a stunning revelation uncovers a dark secret, she and her entire family must reconcile everything they thought they stood for with the shadowy truth of history. Featuring Lauren Bahlman, Anne Oberbroeckling, Jessica Robblee, Mark Collins, Dee Covington, Jim Hunt, Matthew Block and Gordon McConnell. Curious Theatre has a resident company of more than 30 actors, but director Chip Walton has always had an open-door policy, and he proves it again here: Five of the eight actors are making their first appearances for Curious in “After the Revolution.” Showtimes: 8 p.m. Thursdays-Saturdays; also 2 p.m. Sundays through Oct. 19 at 1080 Acoma St., 303-623-0524 or Curious’ home page.

 

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This theatergoer, surrounded by cast members Chris Arneson, Jason Lythgoe and Patrick Brownson (and presumably, a friend!), looks like she’s not completely sure where the play ends and the real world begins.

Opening No. 112: Equinox Theatre’s “Evil Dead, the Musical”: The bloodletting spills out onto the streets in front of the Bug Theatre following every performance of “Evil Dead.” Meaning the eviscerated cast joins departing theatergoers for photo opportunities with chain saws and all manner of fake gore. This campy musical is based on Sam Raimi’s 1980s cult classic film. The story is the one you remember: A boy and his friends take a weekend getaway at an abandoned cabin. The boy expects to get lucky, but instead unleashes an ancient evil spirit. When his friends turn into Candarian Demons, the boy fights until dawn to survive. The score features comic numbers like, “All the Men in my Life Keep Getting Killed by Candarian Demons,” “Look Who’s Evil Now,” and “Do the Necronomicon.” (Take THAT, “Rocky Horrow Show.”) The show stars Jason Lythgoe as the smoldering Ash, with help from Chris Arneson, Erica Trisler, Savannah Lake, Natasha Gleichmann, Preston Adams, Ember Everett, Eli Stewart, Patrick Brownson, David Ballew and Aran Peters. The director is Deb Flomberg; musical direction by Hunter Hall. Just two performances remain, and they’ve been selling out: 7:30 p.m. Friday and Saturday, Sept. 13-14, at 3654 Navajo St. 720-984-0781 or Equinox’s home page. If you can’t get in, you’ll have a second, and third chance to get your taste of blood. Next up at the Bug is “Night of the Living Dead” (Oct. 4-26), followed by “Carrie, the Musical” (Nov. 8-30). Photo by John Moore for www.CultureWest.Org. To see the complete “Opening Nights” photo series to date, click here: http://www.culturewest.org/?p=6068. Thanks: Kate Blair.

Click here to see our full gallery of “Evil Dead” photos.

 

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Opening No. 111: National touring production of “Priscilla, Queen of the Desert”: Well, with some photos, black-and-white is just not an option. Sept. 3 wasn’t just opening night of the national touring production of “Priscilla Queen of the Desert” at the Buell Theatre. It was also Drag Night, with many of Denver’s top entertainers attending, bringing both vibrant color and the same air of freedom and tolerance the popular film, and now stage musical, espouses. Audiences were invited to have make-up makeovers. Audience members stopped some of Denver’s very tallest tall Drag Queens (in heels, many reach 6 1/2 feet in height) asking for everything from photos to make-up tips for advice on how to talk to loved ones. One Denver Drag said afterward she never felt more validated as an entertainer than she did in the lobby chatting with friendly, curious “Priscilla” audiences. The musical is the uplifting story of three friends who hop aboard a battered old bus to cross the Australian outback. It features more than 500 Tony-winning costumes. All the songs are familiar dance-floor hits, including “It’s Raining Men” and “I Will Survive.” Showtimes: 7:30 p.m. Tuesday-Fridays; 2 and 7:30 p.m. Saturdays and Sundays through Sept. 15. Also: Special Thursday matinee: 2 p.m. Thursday, Sept. 12. Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or the Denver Center’s home page. Photo by John Moore for www.CultureWest.Org. To see the complete “Opening Nights” photo series to date, click here: http://www.culturewest.org/?p=6068. Photo by John Moore for www.CultureWest.Org. Thanks: Heidi Bosk, Emily Lozow. Click here to see the complete “Opening Nights” photo series to date.

 

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Bonus photos: My night with Phamaly’s “The Foreigner”

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Director Edith Weiss, who had to miss the opening performance of Phamaly’s “The Foreigner” on Jan. 19 because of illness, texted her final words of encouragement to her cast via actor Jeremy Palmer’s cell phone. Photo by John Moore.

 

By John Moore
Jan. 20, 2013

Here are some bonus images from my night visiting the cast of the Phamaly Theatre Company’s “The Foreigner,” playing through Feb. 2 at the Aurora Fox, 9900 E. Colfax Ave. (303-739-1970); and Feb. 22-24 at the Arvada Center, 6901 Wadsworth Blvd. (720-898-7200). Or go to www.Phamaly.Org. Photos by John Moore of www.CultureWest.Org. Thanks: Bryce Alexander, Gloria Shanstrom, Chris Silberman.

To see the official 2013 photo series bringing you one intimate, iconic snapshots from more than a dozen Colorado opening nights (so far), click here.

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Actor Kathi Wood, who plays Georgia innkeeper Betty Meeks in “The Foreigner,” is interviewed before the opening-night performance by video blogger Carri Wilbanks of CatchCarri.Com. Check out her Phamaly report here.


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Daniel Traylor, left, has been paired opposite Jeremy Palmer in several Phamaly productions including “The Diviners,” also at the the Aurora Fox.

 

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Actor Kathi Wood left words of encouragement on the men’s dressing-room mirror with her lipstick. Her message: “Yay! We did it! Way to go. Love, Kathi.” That’s actor Michael Leopard in the lower mirror. 

 

OPENING 13B

Actors Jaime Lewis, Daniel Traylor, Trenton Schindele, Don Gabenski and Jeremy Palmer make final dressing-room adjustments before the opening performance.

 

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Veteran Phamaly actor Don Gabenski, who has written several comedy sketches about his life with cerebral palsy, waits out the opening curtain in the Aurora Fox green room.

 

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Cast and crew were presented named spoons as opening-night gifts. The character of Betty collects unique spoons in “The Foreigner.” The spoon above was named for property master Becky Toma.

 

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 It may be winter, but the Aurora Fox dressing room was hot enough to require a fan for actor Daniel Traylor.

 

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Actor Kathi Wood, below, puts a unique spin on the character of innkeeper Betty Meeks, who is written to be played by a white woman. Now as a black Georgia innkeeper under threat by the Ku Klux Klan, Betty’s wall includes a portrait of Martin Luther King Jr., above.

 

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Longtime Phamaly favorite Jeremy Palmer plays Charlie Baker, a socially awkward Brit so afraid of social interaction his friend tells guests at the local inn that he speaks no English. 

 

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 Actor Don Gabenski.

 

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 Actors Daniel Traylor and Lyndsay Palmer, wife of Jeremy Palmer.

 

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Actor Jaime Lewis, who contracted polio in 1961, plays the bumbling head of a Georgia chapter of the racist Ku Klux Klan.

 

OPENING 13D

Jeremy Palmer leads the Phamaly cast and crew in a pre-curtain ritual they call “Zap.” As if there weren’t enough energy in the air already, members of the circle are told to buzz. The vibration builds, the cast screams “ZAP!” in unison, and then there is nothing but sudden, solemn silence. The next spoken word is not to be uttered by anyone until the actors hit the stage.

Phamaly mourns death of actor Ray Angel

Ray Angel, left, joined fellow blind actors Linda Wirth, Julie Melton and Henry Reyes in "Urinetown" in 2007.  File photo by Craig F. Walker, The Denver Post.

Ray Angel, left, joined fellow blind actors Linda Wirth, Julie Melton and Henry Reyes in “Urinetown” in 2007. File photo by Craig F. Walker, The Denver Post.

By John Moore
Jan. 22, 2013

Ray Angel, blind since birth, joined Denver’s handicapped Phamaly Theatre Company for one reason:

“My wife and I were so darn shy, and we thought Phamaly would help us get over it,” Angel told me in a 2007 interview. “And it did.”

Angel has passed away, it was announced today on Phamaly’s facebook page:

Known by fellow actors as a sweet and caring man, Ray appeared in numerous Phamaly productions, including ‘Man of La Mancha’ ‘Anything Goes’ ‘Kiss Me Kate,’ ‘Damn Yankees,’ ‘Once Upon A Mattress,’ ‘The Pajama Game,’ ‘Guys & Dolls,’ ‘Joseph and the Amazing Technicolor Dreamcoat’ and ‘Urinetown.’

After Angel’s wife, Debbie, died in 1999, their daughter urged Ray “to get back on the stage … and back into contact with life,” he said.

And he did.

Angel was one of eight blind actors cast in Phamaly’s 2007 staging of “Urinetown.” It’s a cuttingly clever musical satire of corporate greed, set in a drought-plagued city where water is so precious, you must “pay to pee” – or else.

Director Steve Wilson had the epiphany to cast all his rich characters – the ones who profit off the suffering of the poor – with visually impaired actors. Call it a case of the blind leading the backed-up.

A grave side memorial service will be held for Angel at 10 a.m. Feb. 8 at Golden Cemetery, 755 Ulysses St., Golden. Pot luck to follow at the family home.

Phamaly is the only theater company in town that is so often touched by death that it maintains a memorial list in its programs. In addition to Debbie Angel, the names include Paul Bilzi, Greg Britton, Caroline Buhr, Daniel Cohen, Dan Davidson, Chaz Jacobsen, Diana Kurlyak, Devry Leeds, Judi Myers, James McKenna, Kurt Niblack, Chris Robinson, Christopher Simmons and Mike Spoomer.

Here is the official obituary for Ray Angel.

 

Phamaly’s Jeremy Palmer accepts volunteer award, Denver mayor’s proclamation

Phamaly Theatre Company actor and writer Jeremy Palmer accepts the Denver Foundation’s Minoru Yasui Volunteer Award, and Denver mayor Michael Hancock’s proclamation making Nov. 15, 2012, “Jeremy Palmer Day” in Denver. Video by John Moore of culturewest.org. Run time: 7 minutes.

It’s Jeremy Palmer Day in Denver – and all wife Lyndsay got was a bag of cookies. Photo by John Moore

A message on Veteran’s Day: Air Force Sgt., and actor, James Sherman

Air Force Sgt. James Sherman

By John Moore

Nov. 12, 2012

United States Air Force Sgt. James Sherman.

On this Veteran’s Day, please consider  this monologue, “My Junk,” written by Air Force Sgt. James Sherman. He performed it as part of the local Phamaly Theatre Company’s fifth annual “Vox Phamilia,” a collection of original scenes and comic sketches offering an at-times times brutally honest perspective on living with a disability. Sherman’s piece carried additional poignancy for me, having seen it yesterday on Veteran’s Day  (which is officially being observed today).

I heard it, loved it, and wanted (with James’ permission) to share it.
_______________________
“My Junk”

By Air Force Sgt. James Sherman

          I’m going to tell you all about my junk. Yes … my junk. The who, the where, and most importantly … the what. You see, at the beginning of my adult life, I served in the United States Air Force. (So) my first piece of junk is my beret. During my 10-year stretch, I traveled all over the world from Japan to Iraq. I even earned two commendations — one from the Army, and one from the Air Force. My decorations are real, baby, no “America’s Got Talent” fakes here. I was a criminal investigator. My job was to support the Air Force mission to fly, fight, and win.

My next piece of junk is something that stemmed from my years of law enforcement … my handcuffs. They got a lot of work over the years. Stainless steel, well-oiled devices of human pacification. I didn’t use these by themselves, or else we’d be talking about a different piece of junk. They became as much a part of me as my other piece of junk.

This (next) piece of junk has been a part of my life since the beginning … before I learned to fly, fight, and win.   Before I earned my medals, “I had an enemy lying in wait” — one that couldn’t be interrogated, couldn’t be fired on or reasoned with.  “Charcot-Marie-Tooth” is my enemy. An enemy that destroys muscles, that cripples both men and women. It eats dreams, turns hope into fear, turns pride into solitude. From this enemy there’s no mercy, no relief… and no cure.

How do you tell a man whose built his life on standing for those in need, against those who do harm, is not the man he used to be?  Tell him career is over because he can’t run very fast, that he’s a liability in the field, and can’t lead his men anymore. That his newest piece of junk — his leg braces — are  going to sound like he’s hiding balloons in his pants, and is going to lead to all sorts of new sexual experiences with airport security.

How do you tell someone that? My newest piece of junk came with shame, doubt and fear those were the things I was to run with now instead of my formation… Rather, I wasn’t running much at all anymore.

I tell you what… quitting would have been easy. It would have been, if I didn’t have all this other “junk”: Friends, family, successes and failures … They all ride with me, and I can’t just leave bits and pieces behind because I got some new junk. No … not this time. No one’s going to tell me I need to quit, no one’s going to tell me, “Sergeant you just can’t.”  This time, if you want me, you’re going to have to come get me. After all, I have a responsibility to my friends, family and country that I have to complete.

So I encourage you, the next time your heart hurts or someone tells you, “impossible” … Just pull your junk out and put it on the table for you — and the world to see.         

_______________________
Note: Charcot-Marie-Tooth disease (CMT) is a genetically and clinically heterogeneous group of inherited disorders of the peripheral nervous system characterised by progressive loss of muscle tissue and touch sensation across various parts of the body. Currently incurable, this disease is one of the most common inherited neurological disorders affecting approximately 1 in 2,500 people, equating to approximately 23,000 people in the United Kingdom and 125,000 people in the U.S.

 

 

 

 

 

Fall 2012, No. 8: Miners Alley Playhouse’s “The Three Penny Opera”

Two-time Henry Award-winning best actress Megan Van De Hey makes her Miners Alley Playhouse debut in “The Three Penny Opera.”

 

By John Moore

When: Sept. 7-Oct. 21

Written by: Bertolt Brecht, music composed by Kurt Weill

The story: Brecht’s milestone musical is a biting satire of the post-war rise of capitalism, wrapped up in Weill’s jazzy score and the tale of Macheath (Mack the Knife), a debonair crime lord on the verge of turning his illegal empire into a legitimate business.  When Macheath marries Polly Peachum, her father (Jonathan Peachum) is greatly angered.  He controls the beggars of London, and he strives to get Macheath hanged.  Peachum exerts considerable political influence, and eventually Macheath is arrested and imprisoned.  At the point of execution, in an unrestrained parody of a happy ending, a hard-riding messenger from the Queen dramatically arrives at the last minute, and Macheath is both pardoned, and elevated to the title of Baron.

Why it made the list:  Miners Alley Playhouse, which isn’t known for musicals, is branching out by taking on a difficult piece in an election year. And by landing Megan Van De Hey, winner of the past two Henry Awards for best actress in a musical, it’s not messing around. It’s worth noting that director El Armstrong has cast three members of the local handicapped theater group PHAMALy (Lyndsay Palmer, Daniel Traylor and Briana Berthiau). Not for any poltical or creative point — only because they have killer singing voices.


Cast list:

Richard Cowden

 

Director: El Armstrong

The cast:
Briana Berthiau
Erica Lyn Cain
Richard Cowden
Don DeVeux
Rob Gale
C.J. Garbo
Kris Graves
Dana Hart Lubeck
Verl Hite
T.J. Hogle
Michael Ingram
Lisa Morse-Moore
Lyndsay Palmer
Juliette Petersen
Daniel Traylor
Megan Van De Hey

Where: 1224 Washington St., Golden

Performance times: 7:30 p.m. Fridays and Saturdays; 6 p.m. Sundays (except for the closing matinee on Oct. 21, which begins at 2 p.m.)

Tickets: $30.50-$34.50; senior, student and group rates available

Contact: 303-935-3044 or map’s home page

 

The Fall 2012 theater preview countdown:

No. 1: Curious Theatre’s “The Elaborate Entrance of Chad Deity”
No. 2: Ben Dicke Presents’ “Bloody Bloody Andrew Jackson”
No. 3: Abster Productions’ “August: Osage County”
No. 4: Midtown Arts Center’s “In the Heights”
No. 5: Denver Center Theatre Company’s “The Giver”
No. 6: Local Theater Company’s “Elijah: An Adventure”
No. 7: Vintage Theatre’s “The Cider House Rules”
No. 8: Miners Alley Playhouse’s “The Three Penny Opera”
No. 9: Colorado Springs Fine Arts Center’s “Make Sure It’s Me”
No 10: Creede Rep’s “Is He Dead?” at the Arvada Center
No. 11: Theatre Or’s “The Value of Names”

Among the many other shows to watch:

Sept. 1-16, 2012: Ami Dayan Presents “A Happy End,” at Buntport Theater Read my interview with playwright Iddo Netanyahu
Sept. 4-16, 2012: National touring production of “La Cage Aux Folles,” at the Buell Theatre
Sept. 7-Nov. 3, 2012: Boulder’s Dinner Theatre’s “Avenue Q”
Sept. 7-22, 2012: Germinal Stage-Denver’s “A Kind of Alaska”
Sept. 7-Oct. 6, 2012: Spark Theater’s “Rebecca” (note new address: 985 Santa Fe Drive)
Sept. 11-30, 2012: Arvada Center’s “Dirty Rotten Scoundrels” (and Oct. 4-14 at the Lone Tree Arts Center)
Sept. 13-16, 2012: PACE Center’s “Scarlet Letter, The Musical” (Parker)
Sept. 14-Oct. 14, 2012: Town Hall Arts Center’s “Sweet Charity” (Littleton)
Sept. 14-Nov. 10, 2012: The Avenue’s “Murder Most Fowl”
Sept. 14-Oct. 14, 2012: Ashton Entertainment’s “Picasso at the Lapin Agile,” at the Aurora Fox
Sept. 15-Oct. 14, 2012: Bas Bleu’s “The Love of the Nightingale” (Fort Collins)
Sept. 20-Oct. 14, 2012: Denver Center Theatre Company’s “Fences” (Space Theatre
Sept. 21-Oct. 21, 2012: The Edge’s “Boom” (Lakewood)
Sept. 27-Oct 21, 2012: Denver Center Theatre Company’s “The Three Musketeers” (Stage Theatre)
Oct. 2-24, 2012: And Toto Too’s “Pardon My Dust” (at Laundry on Lawrence)

Complete Denver Post theater listings:

By company

By opening date

Capsules of all currently running productions